Cat's Eye - Margaret Atwood [110]
Cordelia can’t do the frog either. She says she feels sick to her stomach just thinking about putting her dissecting knife through its skin. She looks at me, pale, her eyes big. The frog smell is getting to her. I do her frog for her. I’m good at this.
I memorize the statocysts of the crayfish, its gills and mouth parts. I memorize the circulatory system of the cat. The teacher, who is usually the boys’ football coach but who has recently taken a summer course in Zoology so he can teach us this, orders a dead cat for us, with its veins and arteries pumped full of blue and pink latex. He’s disappointed when it arrives, because the cat is definitely rancid, you can smell it even through the formaldehyde. So we don’t have to dissect it, we can just use the diagram in the book.
But worms, frogs, and cats aren’t enough for me. I want more. I go down to the Zoology Building on Saturday afternoons to use the microscopes in the empty labs. I look at slides, planaria worms in section with their triangular heads and cross-eyes, bacteria colored with vivid dyes, hot pinks, violent purples, radiant blues. These are lit up from beneath, they’re breathtaking, like stained-glass windows. I draw them, delineating the structures with different colored pencils, though I can never get the same luminous brillance.
Mr. Banerji, who is now Dr. Banerji, discovers what I’m doing. He brings me slides he thinks I would like to see and offers them to me shyly and eagerly, with a conspiratorial giggle, as if we are sharing a delicious, esoteric secret, or something religious. “Parasite of the tent caterpillar,” he says, depositing the slide with reverence on a clean piece of paper at my table. “Egg of the budworm.”
“Thank you,” I say, and he looks at my drawings, picking them up by the corners with his deft, bitten fingers. “Very good, very good, miss,” he says. “Soon you will take over my job.”
He has a wife now, who has come from India, and a little boy. I see them sometimes, looking in through the doorway of the lab, the child gentle and dubious, the wife anxious. She wears gold earrings and a scarf with spangles on it. Her red sari shows beneath her brown Canadian winter coat, her overshoes poking out beneath it.
Cordelia comes to my house and I help her with her Zoology homework, and she stays to dinner. My father, dishing out the beef stew, says that a species a day is becoming extinct. He says we are poisoning the rivers and ruining the gene pools of the planet. He says that when a species becomes extinct, some other species moves in to fill up the ecological niche, because Nature abhors a vacuum. He says that the things that move in are common weeds, and cockroaches and rats: soon all flowers will be dandelions. He says, waving his fork, that if we continue to overbreed as a species, a new epidemic will arise to redress the balance. All this will happen because people have neglected the basic lessons of Science, they have gone in for politics and religion and wars instead, and sought out passionate excuses for killing one another. Science on the other hand is dispassionate and without bias, it is the only universal language. The language is numbers. When at last we are up to our ears in death and garbage, we will look to Science to clean up our mess.
Cordelia listens to all of this, smirking a little. She thinks my father is quaint. I hear him the way she must: this is not what people are supposed to talk about at the dinner table.
I go to dinner at Cordelia’s house. Dinners at Cordelia’s house are of two kinds: those when her father is there and those when he isn’t. When he isn’t there, things are slapdash. Mummie comes to the table absentmindedly still in her painting smock, Perdie and Mirrie and also Cordelia appear in blue jeans with a man’s shirt over top and their hair in pin curls. They jump up from the table, saunter into the kitchen for more butter, or the salt, which has been forgotten.