Cat's Eye - Margaret Atwood [146]
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I get postcards and the occasional short letter from my mother, sent from places like Duluth and Kapuskasing. She says the roads are getting too crowded. “Too many trailers,” she says. I reply with news about my job, my apartment, and the weather. I don’t mention Jon, because there is no news. News would be something definite and respectable, such as an engagement.
My brother Stephen is here and there. He has become more taciturn: he too now communicates by postcard. One comes from Germany, with a man in short leather pants on it and the message: Great particle accelerator; one from Nevada, with a cactus and the note, Interesting life forms. He goes to Bolivia on what I suppose to be a holiday, and sends a cigar-smoking woman in a high-crowned hat: Excellent butterflies. Hope you are well. At one point he gets married, which is announced by a postcard from San Francisco, with the Golden Gate Bridge and a sunset on it, and Got married. Annette sends regards. This is all I hear about it until several years later, when he sends a postcard of the Statue of Liberty from New York, which says: Got divorced. I assume he has been puzzled by both events, as if they’re not something he’s done himself, on purpose, but things that have happened to him accidentally, like stubbing your toe. I think of him as walking into marriage as into a park, in a foreign country, at night, unaware of the possibilities for damage.
He turns up in Toronto to give a lecture, at a conference, notifying me in advance with a postcard of a statue of Paul Revere, from Boston: Arrive Sun. 12th. My paper is on Mon. See you.
I attend the lecture, not because I have high hopes for it on my own account—the title of it is “The First Picoseconds and the Quest for a Unified Field Theory: Some Minor Speculations”—but because he is my brother. I sit nibbling my fingers as the university auditorium fills with the audience, which is composed largely of men. Most of them look like people I wouldn’t have gone out with in high school.
Then my brother comes in, with the man who will introduce him. I haven’t seen my brother for years; he’s thinner, and his hair is beginning to recede. He needs glasses to read his text; I can see them poking out of his breast pocket. Someone has upgraded his wardrobe for him and he’s wearing a suit and tie. These alterations don’t make him appear more normal, however, but more anomalous, like a creature from an alien planet disguised in human clothing. He has a look of amazing brilliance, as if at any minute his head will light up and become transparent, disclosing a huge brightly colored brain inside. At the same time he looks rumpled and bewildered, as if he’s just wakened from a pleasant dream to find himself surrounded by Munchkins.
The man introducing my brother says he needs no introduction, then goes on to list the papers he has written, the awards he has won, the contributions he has made. There is clapping, and my brother goes to the podium. He stands in front of a white projection screen, clears his throat, shifts from one foot to the other, puts on his glasses. Now he looks like someone who will turn up, later, on a stamp. He is ill at ease and I am nervous for him. I think he will mumble. But once he begins he is fine.
“When we gaze at the night sky,” he says, “we are looking at fragments of the past. Not only in the sense that the stars as we see them are echoes of events that occurred light-years distant in time and space: everything up there and indeed everything down here is a fossil, a leftover from the first picoseconds of creation, when the universe crystallized out from the primal homogeneous plasma. In the first picosecond, conditions were scarcely imaginable. If we could travel in a time machine back toward this explosive moment, we would find ourselves in a universe replete with energies we do not understand and strangely behaving forces distorted beyond recognition. The farther back we probe, the more extreme these conditions become. Current experimental