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Chaos - James Gleick [36]

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in the seventies, it simultaneously spread in the Soviet Union. And in 1975, as Yorke and May struggled to capture the attention of their colleagues, Sinai and others rapidly assembled a powerful working group of physicists centered in Gorki. In recent years, some Western chaos experts have made a point of traveling regularly to the Soviet Union to stay current; most, however, have had to content themselves with the Western version of their science.

In the West, Yorke and May were the first to feel the full shock of period-doubling and to pass the shock along to the community of scientists. The few mathematicians who had noted the phenomenon treated it as a technical matter, a numerical oddity: almost a kind of game playing. Not that they considered it trivial. But they considered it a thing of their special universe.

Biologists had overlooked bifurcations on the way to chaos because they lacked mathematical sophistication and because they lacked the motivation to explore disorderly behavior. Mathematicians had seen bifurcations but had moved on. May, a man with one foot in each world, understood that he was entering a domain that was astonishing and profound.

TO SEE DEEPER INTO this simplest of systems, scientists needed greater computing power. Frank Hoppensteadt, at New York University’s Courant Institute of Mathematical Sciences, had so powerful a computer that he decided to make a movie.

Hoppensteadt, a mathematician who later developed a strong interest in biological problems, fed the logistic nonlinear equation through his Control Data 6600 hundreds of millions of times. He took pictures from the computer’s display screen at each of a thousand different values of the parameter, a thousand different tunings. The bifurcations appeared, then chaos—and then, within the chaos, the little spikes of order, ephemeral in their instability. Fleeting bits of periodic behavior. Staring at his own film, Hoppensteadt felt as if he were flying through an alien landscape. One instant it wouldn’t look chaotic at all. The next instant it would be filled with unpredictable tumult. The feeling of astonishment was something Hoppensteadt never got over.

May saw Hoppensteadt’s movie. He also began collecting analogues from other fields, such as genetics, economics, and fluid dynamics. As a town crier for chaos, he had two advantages over the pure mathematicians. One was that, for him, the simple equations could not represent reality perfectly. He knew they were just metaphors—so he began to wonder how widely the metaphors could apply. The other was that the revelations of chaos fed directly into a vehement controversy in his chosen field.

The outline of the bifurcation diagram as May first saw it, before more powerful computation revealed its rich structure.

Population biology had long been a magnet for controversy anyway. There was tension in biology departments, for example, between molecular biologists and ecologists. The molecular biologists thought that they did real science, crisp, hard problems, whereas the work of ecologists was vague. Ecologists believed that the technical masterpieces of molecular biology were just clever elaborations of well-defined problems.

Within ecology itself, as May saw it, a central controversy in the early 1970s dealt with the nature of population change. Ecologists were divided almost along lines of personality. Some read the message of the world to be orderly: populations are regulated and steady—with exceptions. Others read the opposite message: populations fluctuate erratically—with exceptions. By no coincidence, these opposing camps also divided over the application of hard mathematics to messy biological questions. Those who believed that populations were steady argued that they must be regulated by some deterministic mechanisms. Those who believed that populations were erratic argued that they must be bounced around by unpredictable environmental factors, wiping out whatever deterministic signal might exist. Either deterministic mathematics produced steady behavior, or random external

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