Chaucer [22]
to one of these years; so that if their view were correct, the poem in question would have to be regarded as the earliest of his extant productions. The problem which we have indicated must detain us for a moment.
It is attested by documentary evidence, that in the year 1374, Chaucer had a wife by name Philippa, who had been in the service of John of Gaunt, Duke of Lancaster, and of his Duchess (doubtless his second wife, Constance), as well as in that of his mother the good Queen Philippa, and who, on several occasions afterwards, besides special new year's gifts of silver-gilt cups from the Duke, received her annual pension of ten marks through her husband. It is likewise proved that, in 1366, a pension of ten marks was granted to _a_ Philippa Chaucer, one of the ladies of the Queen's Chamber. Obviously, it is a highly probable assumption that these two Philippa Chaucers were one and the same person; but in the absence of any direct proof it is impossible to affirm as certain, or to deny as demonstrably untrue, that the Philippa Chaucer of 1366 owed her surname to marriage. Yet the view was long held, and is still maintained by writers of knowledge and insight, that the Phillipa of 1366 was at that date Chaucer's wife. In or before that year he married, it was said, Philippa Roet, daughter of Sir Paon de Roet of Hainault, Guienne King of Arms, who came to England in Queen Philippa's retinue in 1328. This tradition derived special significance from the fact that another daughter of Sir Paon, Katharine, widow of Sir Hugh Swynford, was successively governess, mistress, and (third) wife to the Duke of Lancaster, to whose service both Geoffrey and Philippa Chaucer were at one time attached. It was apparently founded on the circumstance that Thomas Chaucer, the supposed son of the poet, quartered the Roet arms with his own. But unfortunately there is no evidence to show that Thomas Chaucer was a son of Geoffrey; and the superstructure must needs vanish with its basis. It being then no longer indispensable to assume Chaucer to have been a married man in 1366, the Philippa Chaucer of that year MAY have been only a namesake, and possibly a relative, of Geoffrey; for there were other Chaucers in London besides him and his father (who died this year), and one Chaucer at least has been found who was well-to-do enough to have a Damsel of the Queen's Chamber for his daughter in these certainly not very exclusive times.
There is accordingly no PROOF that Chaucer was a married man before 1374, when he is known to have received a pension for his own and his wife's services. But with this negative result we are asked not to be poor- spirited enough to rest content. At the opening of his "Book of the Duchess," a poem certainly written towards the end of the year 1369, Chaucer makes use of certain expressions, both very pathetic and very definite. The most obvious interpretation of the lines in question seems to be that they contain the confession of a hopeless passion, which has lasted for eight years--a confession which certainly seems to come more appropriately and more naturally from an unmarried than from a married man. "For eight years," he says, or seems to say, "I have loved, and loved in vain--and yet my cure is never the nearer. There is but one physician that can heal me--but all that is ended and done with. Let us pass on into fresh fields; what cannot be obtained must needs be left." It seems impossible to interpret this passage (too long to cite in extenso) as a complaint of married life. Many other poets have indeed complained of their married lives, and Chaucer (if the view to be advanced below be correct) as emphatically as any. But though such occasional exclamations of impatience or regret--more especially when in a comic vein--may receive pardon, or even provoke amusement, yet a serious and sustained poetic version of Sterne's "sum multum fatigatus de uxore mea" would be unbearable in any writer of self-respect, and wholly out of character in Chaucer. Even Byron only indited elegies about his married
It is attested by documentary evidence, that in the year 1374, Chaucer had a wife by name Philippa, who had been in the service of John of Gaunt, Duke of Lancaster, and of his Duchess (doubtless his second wife, Constance), as well as in that of his mother the good Queen Philippa, and who, on several occasions afterwards, besides special new year's gifts of silver-gilt cups from the Duke, received her annual pension of ten marks through her husband. It is likewise proved that, in 1366, a pension of ten marks was granted to _a_ Philippa Chaucer, one of the ladies of the Queen's Chamber. Obviously, it is a highly probable assumption that these two Philippa Chaucers were one and the same person; but in the absence of any direct proof it is impossible to affirm as certain, or to deny as demonstrably untrue, that the Philippa Chaucer of 1366 owed her surname to marriage. Yet the view was long held, and is still maintained by writers of knowledge and insight, that the Phillipa of 1366 was at that date Chaucer's wife. In or before that year he married, it was said, Philippa Roet, daughter of Sir Paon de Roet of Hainault, Guienne King of Arms, who came to England in Queen Philippa's retinue in 1328. This tradition derived special significance from the fact that another daughter of Sir Paon, Katharine, widow of Sir Hugh Swynford, was successively governess, mistress, and (third) wife to the Duke of Lancaster, to whose service both Geoffrey and Philippa Chaucer were at one time attached. It was apparently founded on the circumstance that Thomas Chaucer, the supposed son of the poet, quartered the Roet arms with his own. But unfortunately there is no evidence to show that Thomas Chaucer was a son of Geoffrey; and the superstructure must needs vanish with its basis. It being then no longer indispensable to assume Chaucer to have been a married man in 1366, the Philippa Chaucer of that year MAY have been only a namesake, and possibly a relative, of Geoffrey; for there were other Chaucers in London besides him and his father (who died this year), and one Chaucer at least has been found who was well-to-do enough to have a Damsel of the Queen's Chamber for his daughter in these certainly not very exclusive times.
There is accordingly no PROOF that Chaucer was a married man before 1374, when he is known to have received a pension for his own and his wife's services. But with this negative result we are asked not to be poor- spirited enough to rest content. At the opening of his "Book of the Duchess," a poem certainly written towards the end of the year 1369, Chaucer makes use of certain expressions, both very pathetic and very definite. The most obvious interpretation of the lines in question seems to be that they contain the confession of a hopeless passion, which has lasted for eight years--a confession which certainly seems to come more appropriately and more naturally from an unmarried than from a married man. "For eight years," he says, or seems to say, "I have loved, and loved in vain--and yet my cure is never the nearer. There is but one physician that can heal me--but all that is ended and done with. Let us pass on into fresh fields; what cannot be obtained must needs be left." It seems impossible to interpret this passage (too long to cite in extenso) as a complaint of married life. Many other poets have indeed complained of their married lives, and Chaucer (if the view to be advanced below be correct) as emphatically as any. But though such occasional exclamations of impatience or regret--more especially when in a comic vein--may receive pardon, or even provoke amusement, yet a serious and sustained poetic version of Sterne's "sum multum fatigatus de uxore mea" would be unbearable in any writer of self-respect, and wholly out of character in Chaucer. Even Byron only indited elegies about his married