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Chaucer [27]

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Yet the translation (and this may have been among the causes why he seems to have wearied of it) has notwithstanding a certain air of schoolwork; and though Chaucer's next poem, to which incontestable evidence assigns the date of the year 1369, is still very far from being wholly original, yet the step is great from the "Romaunt of the Rose" to the "Book of the Duchess."

Among the passages of the French "Roman de la Rose" omitted in Chaucer's translation are some containing critical reflexions on the character of kings and constituted authorities--a species of observations which kings and constituted authorities have never been notorious for loving. This circumstance, together with the reference to Windsor quoted above, suggests the probability that Chaucer's connexion with the Court had not been interrupted, or had been renewed, or was on the eve of renewing itself, at the time when he wrote this translation. In becoming a courtier, he was certainly placed within the reach of social opportunities such as in his day he could nowhere else have enjoyed. In England as well as in Italy during the fourteenth and the two following centuries; as the frequent recurrence of the notion attests, the "good" courtier seemed the perfection of the idea of gentleman. At the same time exaggerated conceptions of the courtly breeding of Chaucer's and Froissart's age may very easily be formed; and it is almost amusing to contrast with Chaucer's generally liberal notions of manners, severe views of etiquette like that introduced by him at the close of the "Man of Law's Tale," where he stigmatizes as a solecism the statement of the author from whom he copied his narrative, that King Aella sent his little boy to invite the emperor to dinner. "It is best to deem he went himself."

The position which in June, 1367, we find Chaucer holding at Court is that of "Valettus" to the King, or, as a later document of May, 1368, has it, of "Valettus Camerae Regis"--Valet or Yeoman of the King's Chamber. Posts of this kind, which involved the ordinary functions of personal attendance--the making of beds, the holding of torches, the laying of tables, the going on messages, etc.--were usually bestowed upon young men of good family. In due course of time a royal valet usually rose to the higher post of royal squire--either "of the household" generally, or of a more special kind. Chaucer appears in 1368 as an "esquire of less degree," his name standing seventeenth in a list of seven-and-thirty. After the year 1373 he is never mentioned by the lower, but several times by Latin equivalents of the higher, title. Frequent entries occur of the pension or salary of twenty marks granted to him for life; and, as will be seen, he soon began to be employed on missions abroad. He had thus become a regular member of the royal establishment, within the sphere of which we must suppose the associations of the next years of his life to have been confined. They belonged to a period of peculiar significance both for the English people and for the Plantagenet dynasty, whose glittering exploits reflected so much transitory glory on the national arms. At home, these years were the brief interval between two of the chief visitations of the Black Death (1361 and 1369), and a few years earlier the poet of the "Vision" had given voice to the sufferings of the poor. It was not, however, the mothers of the people crying for their children whom the courtly singer remembered in his elegy written in the year 1369; the woe to which he gave a poetic expression was that of a princely widower temporarily inconsolable for the loss of his first wife. In 1367 the Black Prince was conquering Castile (to be lost again before the year was out) for that interesting protege of the Plantagenets and representative of legitimate right, Don Pedro the Cruel, whose daughter the inconsolable widower was to espouse in 1372, and whose "tragic" downfall Chaucer afterwards duly lamented in his "Monk's Tale":--

O noble, O worthy Pedro, glory of Spain, Whom fortune held so high in majesty!
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