Childhood's End - Arthur C. Clarke [70]
"Thank you, Karellen, for whatever your people did for Jeff. But I wish I knew why they did it."
He went slowly down to the beach, and the great white gulls wheeled around him, annoyed because he had brought no food to throw them as they cirded in the sky.
Chapter 17
Karellen's request, though it might have been expected at any time since the foundation of the colony, was something of a bombshell. It represented, as everyone was fully aware, a crisis in the affairs of Athens, and nobody could decide whether good or bad would come of it.
Until now, the colony had gone its way without any form of interference from the Overlords. They had left it completely alone, as indeed they ignored most human activities that were not subversive or did not offend their codes of behaviour. Whether the colony's aims could be called subversive was uncertain. They were non-political, but they represented a bid for intellectual and artistic independence. And from that, who knew what might come? The Overlords might well be able to foresee the future of Athens more clearly than its founders-and they might not like it.
Of course, if Karellen wished to send an observer, inspector, or whatever one cared to call him, there was nothing that could be done about it. Twenty years ago the Overlords had announced that they had discontinued all use of their surveillance devices, so that humanity need no longer consider itself spied upon. However, the fact that such devices still existed meant that nothing could be hidden from the Overlords if they really wanted to see it.
There were some on the island who welcomed this visit as a chance of settling one of the minor problems of Overlord psychology-their attitude towards Art. Did they regard it as a childish aberration of the human race? Did they have any forms of art themselves? In that case, was the purpose of this visit purely asthetic, or did Karellen have less innocent motives?
All these matters were debated endlessly while the preparations were under way. Nothing was known of the visiting Overlord, but it was assumed that he could absorb culture in unlimited amounts. The experiment would at least be attempted, and the reactions of the victim observed with interest by a battery of very shrewd minds.
The current chairman of the council was the philosopher, Charles Yan Sen, an ironic but fundamentally cheerful man who was not yet in his sixties and was therefore still in the prime of life. Plato would have approved of him as an example of the philosopher-statesman, though Sen did not altogether approve of Plato, whom he suspected of grossly misrepresenting Socrates. He was one of the islanders who was determined to make the most of this visit, if only to show the Overlords that men still had plenty of initiative and were not yet, as he put it, "fully domesticated".
Nothing in Athens was done without a committee, that ultimate hall-mark of the democratic method. Indeed, someone had once defined the colony as a system of interlocking committees. But the system worked, thanks to the patient studies of the social psychologists who had been the real founders of Athens. Because the community was not too large, everyone in it could take some part in its running and could be a citizen in the truest sense of the word.
It was almost inevitable that George, as a leading member of the artistic hierarchy, should be one of the reception committee. But he made doubly sure by pulling a few