Code 61 - Donald Harstad [15]
“Comm, M Mary?” I hoped she got it, because I didn't want anybody to know precisely where I was headed. I didn't know if the dispatcher, the ambulance crew, or Borman had specifically referred to the Mansion, but I wasn't going to. If somebody with a scanner had missed the initial traffic, I wasn't going to help them out now.
It took her a few seconds. “Oh, sure. Ten-four, that's the one. Confirm with last three: three five four.”
The 911 address would be 24354, useless to anyone who didn't have the name of the particular road. She asked for the last three digits to make sure I didn't have the wrong place. Nobody listening would know the first two digits unless they knew where I was all along.
I'd always been fascinated by that house. It was huge, of a kind called Victorian or Queen Anne, or something. It was perched at the end of a long lane on top of the bluff, with what had to be one of the finest views of the Mississippi River that was available from privately owned land. I'd never really been in the place before, although I'd been in the yard once. It was far and away the biggest house in Nation County.
“Ten-four, Comm, I know the location. ETA about five.”
If it hadn't been for the 911 address sign 24354, a partially hidden mailbox, and a big, blue plastic refuse bin that was just visible from the road, you wouldn't even have known there was a lane there at all. Located smack in the middle of the Beiderbaum Timber, a wooded area that ran along the west, or Iowa, bank of the Mississippi for about ten miles, the house sat out toward the east end of a long, wide finger of land that pointed right at the Mississippi River. Bordered by two streams, or creeks as they're called locally, the ridge itself was about half a mile wide, with the east end about two miles from the road that ran along its west side. I'd guess that the top of the ridge was about 250 feet above the roadway, covered with trees and low bushes and foliage on the long sides, and ending in a vertical limestone bluff overlooking the river. The gravel drive that extended uphill was nearly a mile and a half long, winding from the valley floor through a heavily wooded area that had littered the road surface with fallen leaves. I crested the rise, onto the top of the finger-shaped ridge, and traveled the last quarter mile on nearly level ground. The trees were just as thick up here, a mixture of brilliant yellow maples and tall, dark green pines. As I drove on to the house, I caught a glimpse of its reddish turreted roof through the trees. I passed through a weathered iron gate set in limestone blocks. They were part of a limestone wall that demarked the area between the woods and the cleared, almost manicured area that displayed the house. My car bumped slightly as I left the gravel and drove onto the wide new blacktop of the circular drive.
The large house was three stories, with two turrets and a vast wraparound porch, all in a dark blue-gray wood frame with maroon trim. Actually, “enormous” was a better word for the house, I thought. It got bigger as I got closer. It stood on a little rise, about ten feet above the level of the drive, and with a wide flight of limestone steps that led up through the little berm to a double door with tall, oval, etched and stained-glass panels. The doors themselves were flanked by very tall, oval windows. Etched and stained glass there, too. It had been built in the 1890s to mark the great wealth of the Givens family, who had amassed a tremendous fortune in grain.
Both the ambulance and car Eight, Borman's fully marked squad, were parked near the front door. No flashing lights or anything. No reason for them. Both vehicles were running, though. There were two other vehicles in the yard, a '90 Buick four-door, and an '87 Ford pickup. Both looked to be well maintained, but showing signs of their age.
“Comm, Three, I'm ten-twenty-three. Be out of the car.” I didn't have to say where,