Cold Wind - C. J. Box [104]
“Let’s not get ahead of ourselves,” Joe said. “Nothing may work out like we think it will. For the time being, we need to let everyone know what Orin Smith claims. If you’ll call Marcus Hand and tell him what I found out, I’ll call Dulcie Schalk.”
Marybeth paused. “Why both sides?”
Joe said, “Because, don’t forget—I’m an officer of the law. I took an oath. I stretch it from time to time, but there’s no way we can’t inform both parties what we know.”
“Is it that?” Marybeth asked. “Or are you playing both sides against the middle?”
“Maybe a little of that, too,” Joe admitted.
“Are you on your way back home now?” she asked.
“Nope.”
“Where are you going?”
“Believe it or not,” Joe said, “Orin Smith claimed he knew where I could find Bud Longbrake Sr.”
32
Laurie Talich pulled her Audi Q7 into the shaded lot of the dance studio in Oak Park, shifted into park so she could keep the motor running and the air on, raised her large sunglasses to the top of her hair, and turned in her seat to address her two girls. Melissa was twelve years old and Aimee ten. Both wore black leotards over pink tights and clutched their shoe bags. Melissa had dark hair and olive skin like her, and Aimee was fairer but had her father’s light cruel eyes, if not his temperament, thank God.
She said, “I’ll be back here in two hours. Don’t dawdle this time. I don’t know why it takes you two so long to change from your ballet shoes, but you need to hustle this time.”
Melissa said, “It’s Aimee.”
“Is not!”
“It’s Aimee,” Melissa said, nodding her heard.
“I don’t care whose fault it is. I don’t want to have to come in and get you this time. I’ll be right here.”
Aimee was in Contemporary Ballet I, and Melissa Contemporary Ballet II. Neither was very good yet, and neither had shown any passion for dance, although Laurie held out hope for Aimee.
“Can we go to McDonald’s for dinner?” Melissa asked.
“We’ll see,” Laurie said. It was always a hassle to drive home and start dinner after dance practice because the girls were starved and grouchy, so they usually went out. “It depends if you two hustle out here.”
Laurie valued the two hours she got to herself while her daughters were at dance. She usually drove to a coffee shop and knitted or read while keeping an eye on the clock.
“Tell her,” Melissa said, jabbing her little sister with a finger in the ribs.
“Ow! She’s hurting me!” Aimee cried out.
“I barely touched her,” Melissa said in defense.
“Girls!” Laurie said. “Go!”
The two unbuckled their seat belts as Melissa pushed the door open. Hot and humid air filled the Audi.
Laurie said, “Have a good practice, girls. Give me a kiss.”
Melissa did a drive-by kiss because she saw her friend Sarah getting out of her father’s car and she wanted to join her. Aimee kissed her mother good-bye, and said, “Melissa is the late one. She’s always talking.”
“Don’t tell on your sister,” Laurie said. “Now go. See you in two hours. And shut the door. You’re letting all the hot air in.”
She sat in the car to make sure both her girls went safely inside. It was a good neighborhood: leafy and prosperous. The children of the city’s elite families attended the same dance school, and it was hard to get in. She wished her girls were better dancers and would stand out, but . . .
She gasped when the passenger door opened suddenly and a tall and rangy man swung in beside her and slammed the door shut. She instinctively reached for her knitting bag, but the big man placed his hand over hers and said, “Don’t.”
Laurie was paralyzed with fear and she went for her door handle, but the man pressed the cold muzzle of a large handgun under her right arm. He said, “Don’t do that, either. Just drive.”
“My girls . . .”
“Are fine,” he said. His voice was deep and breathy and his eyes were slightly hooded. He was so calm it unnerved her. And he was familiar to her in a way she couldn’t place at first.
He said, “Drive. Take us to the park in front of the Navy Pier. It’ll take less than twenty minutes.”
“I know where it is.”
“Good.