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Colonel Roosevelt - Edmund Morris [4]

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behind them are sixty-four tents, and the half-distributed paraphernalia of the largest safari yet mounted in equatorial Africa. Were it not sponsored by the Smithsonian Museum and financed in large part by Andrew Carnegie, it could almost be a British military foray, with its crates of guns, ammunition, and rocket flares, its show of blue blouses and puttees, its sun helmets shading a few authoritative white faces. But four tons of salt, scalpel kits, powdered borax, and enough cotton batting to unspool back to Mombasa betray the safari’s field purpose. And instead of the Union Jack, a large Stars and Stripes floats over the field-green headquarters of the “King of America.”

His original plan, conceived while fending off Republican attempts to nominate him for a third term in 1908, was for a private hunting trip in the environs of Mount Kenya. “If I am where they can’t get at me, and where I cannot hear what is going on, I cannot be supposed to wish to interfere with the methods of my successor.” But as his preparatory reading extended from J. H. Patterson’s The Man-Eaters of Tsavo to Lord Cromer’s Modern Egypt, and anti-hunting advocates protested his bloody intentions, he let scientific and political considerations reshape a more public-minded itinerary. The Smithsonian Museum is avid for male and female specimens of all the big-game species he can shoot, plus a complete series of smaller East African mammals. He is also expected to collect flora. The Colonial Office wants him to advertise its new railway, and attract settlers along the line to Victoria Nyanza. The British foreign secretary hopes he will cast a sympathetic American eye on Anglo-Egyptian problems in Khartoum and Cairo.

He has, besides, his own image to worry about. Having made almost a religion of conservation in the White House, and laid the groundwork for a world conference on the subject, he can ill afford to be seen again, as he was in youth, as an indiscriminate killer of big game. In fact, he has always hunted for constructive reasons: as a boy, to fill the glass cases of his “Roosevelt Museum of Natural History,” and teach himself the minutest details of anatomy and coloration; in youth, to fight his way out of invalidism, choosing always to make the chase as difficult as possible; and in early middle age, to promulgate, as founder-president of the Boone & Crockett Club, the paradox that hunters are practical conservationists, needing to preserve what they pursue—not only birds and animals and fish, but the wilderness too.

Hence this highly professional expedition organizing itself at Kapiti. It does so under the orders of his official guide and manager, R. J. Cuninghame, a bearded, bowlegged Scot and slayer of many elephants. Burned nearly black by wanderings extending from South Africa to the Arctic Circle, Cuninghame affects a Viking look that does not quite conceal the cultured poise of a Cambridge man. Leslie Tarlton, representing a Nairobi safari agency, is assistant manager, a tense little Australian and virtuoso sharpshooter. Three American naturalists represent the scientific side of the expedition. Edgar A. Mearns, a retired army surgeon, began his zoological career by collecting “a most interesting series of skulls” on active duty in the Philippines. He is also a botanist. Edmund Heller is a field taxidermist from Stanford University, and J. Alden Loring a mammalogist from New York. Seventh and last in the ranks of command is the official photographer, Kermit Roosevelt, a willowy nineteen-year-old on leave from Harvard. Kermit is Bwana Mdogo (“Little Master”) to the safari porters.

As for Bwana Mkubwa Sana (“Very Great Master”), he congratulates himself on putting together a team of the kind of sinewy, well-bred, not overly scrupulous men he has always admired. His son may not qualify. Kermit is handy with a Kodak, and also with a mandolin; he is a reader and lover of languages, sure to profit from exposure to Africa’s tapestry of cultures. But the boy needs, or seems to need, toughening, having a broody, mother-fixated quality that

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