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Columbus_ The Four Voyages - Laurence Bergreen [122]

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of the house, covered by branches and leaves, where was hidden a person who said whatever the cacique wanted him to say (as well as one can speak through a blowgun).”

To expose the sleight of hand, several Spaniards toppled the talking cemí, and the cacique, deeply embarrassed, pleaded with them to say nothing to his tribesmen “because it was by means of that deception that he kept them in obedience to him. . . . Only the cacique knows of and abets this fraud, by means of which he gets all the tribute he wants from his people.” (Surely that cynical combination of superstition and deception to control the faithful occurred nowhere in Spain, or anywhere else in Europe.)

Caonabó elucidated other Taíno burial rites for caciques, as Columbus took notes. (“They open the cacique and dry him before a fire that he may keep whole. In the case of others they preserve only the head.”) This sojourn through the Taínos’ underworld prompted the Admiral, already prone to a morbid turn of mind, to ponder questions of mortality. “I have taken pains to learn what they believe,” he wrote, “and know as to where the dead go, especially from Canaobó,” who told the explorer that they went “to a valley to join their forefathers.”

This was as far as Columbus dared to venture into the twilight of the Taínos’ spiritual beliefs and practices. He assigned Ramon Pané, one of the six priests on the expedition, to go further still, “to set down all their rites.” This Father Pané did, and compiled a report based on his four years of living in close quarters with the Taínos. His revelations about their religious practices, and the Spanish interference in these rites, contained so many unpleasant truths that Columbus dismissed them as fiction, and considered that “the only sure thing to be learned from it is that the Indians have a certain natural reverence for the after-life and believe in the immortality of their soul.” Yet he included the controversial document in his chronicle, which his son reproduced more or less in full, realizing, perhaps, that it offered the best explanation of the deterioration of relations between the Spanish and the Indians.

According to Father Pané, a Catalan who characterized himself as a “poor anchorite”—or scholarly hermit—“of the order of St. Jerome,” the trouble went to the heart of their opposing spiritual beliefs. His unsparing reflections are sometimes considered the first anthropological study of the Indians, or, for that matter, of any people. Of all the accounts Columbus’s voyages generated, it is certainly the strangest and most penetrating.

“They believe that there is an immortal being in the sky whom none can see and who has a mother but no beginning,” he wrote, recording their basic myths in a manner that he hoped would make them comprehensible to Christians like him. Father Pané said that he “wrote in haste and had not enough paper” to record myths passed down the generations: how the sea was created (a giant calabash emptied its contents, water and fish), the origins of the sun and moon (they emerged from a cave populated with two stone cemís that appeared to perspire), and the afterlives of the dead (secluded by day, they emerge by night for recreation and to eat a special fruit the size of a peach). Among Father Pané’s observations, the Indians had a method for identifying the dead: “They touch the belly of a person with the hand, and if they do not find a navel, they say that person is ‘operito,’ which means dead.” And if an amorous man carelessly lies with a woman without first checking to see that she does, indeed, possess a navel, “she suddenly disappears and his arms are empty.”

Suffusing all these beliefs was cohoba, the hallucinogenic snuff the Indians snorted through their special pipes with two stems. Father Pané’s subjects spent much of their time in an altered state of consciousness, the effect of inhaling powerful cohoba dust. “The cohoba is their means of praying to the idol and also of asking it for riches,” he wrote. The chief initiated the ceremony by playing an instrument. “After he

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