Come Lie With Me - Linda Howard [6]
From the design of the house, Dione suspected that all of the upstairs rooms opened onto the graceful gallery that ran along the entire U of the house, looking down on the inner courtyard. When Richard tapped lightly on a door that had been widened to allow a wheelchair to pass easily through it, then opened it at the low call that permitted entrance, she saw at once that, at least in this room, her supposition was correct. The enormous room was flooded with sunlight that streamed through the open curtains, though the sliding glass doors that opened onto the gallery remained closed.
The man at the window was silhouetted against the bright sunlight, a mysterious and melancholy figure slumped in the prison of a wheelchair. Then he reached out and pulled a chord, closing the curtains, and the room became dim. Dione blinked for a moment before her eyes adjusted to the sudden darkness; then the man became clear to her, and she felt her throat tighten with shock.
She’d thought that she was prepared; Richard had told her that Blake had lost weight and was rapidly deteriorating, but until she saw him, she hadn’t realized exactly how serious the situation was. The contrast between the man in the wheelchair and the laughing man in the photo she’d seen was so great that she wouldn’t have believed them to be the same man if it hadn’t been for the dark blue eyes. His eyes no longer sparkled; they were dull and lifeless, but nothing could change their remarkable color.
He was thin, painfully so; he had to have lost almost fifty pounds from what he’d weighed when the photo had been taken, and he’d been all lean muscle then. His brown hair was dull from poor nutrition, and shaggy, as if it had been a long time since he’d had it trimmed. His skin was pale, his face all high cheekbones and gaunt cheeks.
Dione held herself upright, but inside she was shattering, crumbling into a thousand brittle pieces. She inevitably became involved with all her patients, but never before had she felt as if she were dying; never before had she wanted to rage at the injustice of it, at the horrible obscenity that had taken his perfect body and reduced it to helplessness. His suffering and despair were engraved on his drawn face, his bone structure revealed in stark clarity. Dark circles lay under the midnight blue of his eyes; his temples had become touched with gray. His once powerful body sat limp in the chair, his legs awkwardly motionless, and she knew that Richard had been right: Blake Remington didn’t want to live.
He looked at her without a flicker of interest, then moved his gaze to Richard. It was as if she didn’t exist. “Where’ve you been?” he asked flatly.
“I had business to attend to,” Richard replied, his voice so cold that the room turned arctic. Dione could tell that he was insulted that anyone should question his actions; Richard might work for Blake, but he was in no way inferior. He was still angry with Serena, and the entire scene had earned his disapproval.
“He’s so determined,” Serena sighed, moving to her brother’s side. “He’s hired another therapist for you, Miss…uh, Diane Kelley.”
“Dione,” Dione corrected without rancor.
Blake turned his disinterested gaze on her and surveyed her without a word. Dione stood quietly, studying him, noting his reaction, or rather, his lack of one. Richard had said that Blake had always preferred blondes, but even taking Dione’s black hair into consideration, she had expected at least a basic recognition that she was female. She expected men to look at her; she’d grown used to it, though once an interested glance would have sent her into panic. She was a striking woman, and at last she had been able to accept that, considering it one of nature’s ironies that she should have been given the looks to attract men when it was impossible