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Company - Max Barry [44]

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dialogue, during which it will be explained that their work of the last thirty-four hours is basically useless without five-year projections, they will agree to keep working, just this one more time. To cut this short, Simon stands up. His pants make a peeling sound as they separate from his office chair. Everybody looks at him, dull surprise on their faces, as he walks unsteadily around the table.

“Yes?” Blake says.

The feeling starts in Simon's calves and comes scampering up through his legs. It floods his torso. He doesn't completely identify it until it hits his right shoulder and funnels into his arm, then he realizes: it's violence. He has about a quarter of a second to think, Do I really want to punch this guy in the face? and the answer is nonverbal: his fist rocketing out and smashing Blake's face. Blake yelps, pinwheels back, bounces off the door frame, and sprawls on the carpet. Simon just stands there. He is quietly prepared to go ahead and kill Blake, but this punch feels so good he takes a few moments to savor it.

“Simon!” Helen shrieks. He turns. They're a line of circus clowns, their mouths all hanging open.

“Ug! Ug! Jeebus Chrised!” Blake yells. He tries to scramble away and to catch the blood dribbling from his nose from dripping onto his shirt.

“This meeting,” Simon says, “is over.”

Karen stands first. The others are slower to react, but then, one by one, they rise, pushing back their damp, sweaty chairs, and grope toward the doorway. They mill there a second, then they hug. Helen's eyes fill with tears. They emerge from the darkness, squinting against the unexpected fluorescent light.

Jones shoves his hands into his pockets and inhales deeply. It's a bright, crisp Monday morning, the kind that gives you a little taste of the Seattle winter on the way, laced with an echo of the fading summer already passed. Jones stamps his feet on the plaza tiles. He's out in back of the Zephyr building. Around him are four or five loose groups of smokers, sucking down their first workplace cigarette of the day. He is here to watch them.

Ten minutes past ten: almost to the minute, that's when they turn up en masse each day. It took Jones a while to figure out why: that's when the morning snacks used to arrive, before Catering was outsourced. Now they're delivered anytime between nine thirty and eleven (the cookies either brittle or soggy, the fruit as cold and hard as blocks of ice), but the smokers have a tradition and they're not changing. Now he's aware of it, Jones finds it amazing. He has positioned himself in various strategic locations around the building and it happens the same way everywhere: it's as if there is a silent siren, inaudible to all but the smokers, who suddenly and simultaneously get restless. They shift in their chairs. They drift out of conversations. Their hands, not quite consciously, probe their pockets for lighters and packets of cigarettes. And by ones and twos, they detach from their departments and flow down the elevators to pool here, outside the rear doors. Then their mood improves: they greet each other and smile and talk about things not related to work at all. While they are here, they are the happiest people in the company.

Jones finds this fascinating. Is it just the nicotine hit, or could all employees benefit from regular short breaks? This should be a project, he thinks. He could try it with a group of nonsmokers. If he's right, it could end up in The Omega Management System. It could end up in companies around the world.

He has loitered here for about as long as he can without attracting suspicion, so he turns and heads back into the building, feeling excited. He pulls open the door and it leaps toward him, revealing that Freddy is on the other side of it, pushing. “Jones! What are you doing here?”

“Just getting some fresh air. What about you?”

Freddy checks that they're out of earshot. “She's not at the desk this morning. Thought I'd come hang out with the regular Joes.”

“Ah, good, good.” Jones steps aside to let him pass.

Freddy squints at him. “You're not still

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