Copenhagen Noir - Bo Tao Michaelis [13]
No sound comes from the apartment. After a while I open the mail slot a crack, still no sound, nothing to see, no snoring men, no water running from a faucet; it’s deadly quiet. I pull out my knife from my inside pocket. But the door is unlocked. I hold my breath. It creaks when I push it with my foot. Still nothing happens. I step into the hall. Pitch dark. First I check the living room and bedroom to make sure I’m alone. The light from the street makes it possible to scan the two rooms, both are barren, the furniture cleared out. The kitchen is the same way. All that’s left are dirty dishes, they smell horrendous. The refrigerator door is open, it’s empty too. A small pool of water on the floor from the thawed freezer. In the living room, the stench from the corpse still hangs in the air, even though they have left the window open. But the sack is gone. I can just make out a stain on the floor where it was lying. I think: This was Lucille’s home. She lived here. Here is where she got up and put her clothes on, here is where she went to bed at night.
Back in the dark hall, I fumble around for the frame. It’s there. I take the drawing down and leave the apartment with the door open.
It seems as if there is nothing more to do. A few days go by rambling around erratically: another night in Vesterbro, a glimpse of the young prostitutes huddled together again, talking eagerly on a corner, a beer or three at various bars, shawarma and bad fast food, I visit the Russian restaurant in a basement on Israels Plads just one time, in hopes of something happening. I eat a fine bowl of borscht that tastes of more than boiled beets, but otherwise it’s just tables of families with young kids. Daytime I aimlessly follow the stream of light, blond people on the streets, homogenous in contrast to the motley street crowds I’m used to in New York. Suddenly I’m desperately homesick. I want to go home. And I discover I have already buried Lucille, I’ve passed the point of acknowledging that she is dead, that I will never find her. I don’t think anyone will find her. I think the Russians have shut her up for good, because she discovered that they were trafficking girls from Gambia. I think they’ve stowed her away forever. Buried her in a forest or dumped her in the sea, far from the Danish coast. Maybe they even murdered her in another land far away. The earth has swallowed Lucille. She called out to me and I was incapable of answering her. I didn’t grab her hand. I said to my soul, be still, and wait without hope. Eliot again, Four Quartets. Wish I could. Wait calmly without hope. Once, at a distance, I see Kirsten bicycling up Vendersgade with Mia in her child’s seat. Another time I