Copenhagen Noir - Bo Tao Michaelis [84]
All these stupid thoughts led to my not activating the central lock—he had already flung the door open, sunk down in the passenger seat, and said: “Frederiksberg Allé.”
I mumbled lamely: “I’m not working.”
“It will only take five minutes,” he growled arrogantly. “Are you aware of just how goddamn cold it is!? We’ll do it off the meter.”
A car behind me honked. I took off automatically, as if I was in a trance, and wheeled past the thick cylinders of the Planetarium.
Erik Rützou sat preoccupied, fingering his Bodil, presumably received for Best Male Actor. During the Christmas season the entire metropolitan area had been plastered with billboards and posters for the film. We hadn’t seen each other for at least fifteen years, maybe more—when time starts flying nothing can stop it—but I saw him constantly: on TV, on the front pages. On the side of a bus at a red light somewhere. He looked like himself, apparently I didn’t. Otherwise he would have recognized me immediately. I mean, we’d acted together, goddamnit. Had been in the same circles for a while.
We drove in silence, or so I thought, but then, through the buzz of my humiliation, I realized that Rützou was sitting there humming. Was he completely sloshed?
Down narrow Værnedamsvej to Osbornehjørnet and the knife-sharp border of Vesterbro, then I blasted up majestic Frederiksberg Allé as if my ass was on fire, Rützou still saying nothing, just humming low, the heavy German cab steamrolling the paving stones on Skt. Thomas Plads, the large, round, eerily deserted square. The grand old buildings slumbered, unworried behind the double row of lindens and the allé’s outer lanes, crowded with parked cars. We passed Café Promenaden, where I hadn’t dared show my face for years; it was still illuminated inside with a yellowish light, a few customers hanging on the bar, I noticed thirstily, and then we were already there: Rützou silently pointed out his destination. I turned and slowly rolled down the narrow lane between the broad sidewalk and the allé itself. We had just glanced off the corner of Vesterbro and all of its pushers, kebab shops, rowdy late-night bars, and porn shops: here, everything radiated peace and quiet and safety. Cars were bigger in this neighborhood, the apartments too, not to mention the gigantic old villas on the side streets, hidden behind high walls. But it was also a lie. A myth. Because suddenly you’d see auto garages, dreary apartment buildings. And though I tried to appear calm and unaffected by the situation, I was a smoldering, gloomy apartment building myself, an ocean of domestic disturbances. I was a lie too. Because I was scared. Scared, yes. Not of him, but of myself.
Take it easy, Klaus, I told myself, it will be over in a few moments, you’re not going to prison for murder here, you’ll drive home to Rødovre and drink a beer, maybe two, have a goodnight smoke, maybe two, and then you’ll go to bed. And if you can’t sleep, no matter how tired and burned out you are, you’ll take a sleeping pill, maybe two. If that doesn’t help, you’ll put on a movie, or call for some company. Most of all I wanted to sleep, drive out into a new day tomorrow evening. The only thing I was any good at. Driving. Up and down deserted roads, snaking in and out of traffic jams, flying across side streets while blind-drunk students disgorged alcohol in the backseat, drive and drive, pick people up, drive far and long, through the city, day after day, but mostly at night. I had become a night person, and I liked winters, the long dense dark. Autumn was my spring, the sublime overture