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Cosmos - Carl Sagan [37]

By Root 1236 0
as a young woman in a flowing dress about to kiss her lover—although rubbing noses looks more like it to me.

Because of the length of the lunar day and night Kepler described “the great intemperateness of climate and the most violent alternation of extreme heat and cold on the Moon,” which is entirely correct. Of course, he did not get everything right. He believed, for example, that there was a substantial lunar atmosphere and oceans and inhabitants. Most curious is his view of the origin of the lunar craters, which make the Moon, he says, “not dissimilar to the face of a boy disfigured with smallpox.” He argued correctly that the craters are depressions rather than mounds. From his own observations he noted the ramparts surrounding many craters and the existence of central peaks. But he thought that their regular circular shape implied such a degree of order that only intelligent life could explain them. He did not realize that great rocks falling out of the sky would produce a local explosion, perfectly symmetric in all directions, that would carve out a circular cavity—the origin of the bulk of the craters on the Moon and the other terrestrial planets. He deduced instead “the existence of some race rationally capable of constructing those hollows on the surface of the Moon. This race must have many individuals, so that one group puts one hollow to use while another group constructs another hollow.” Against the view that such great construction projects were unlikely, Kepler offered as counterexamples the pyramids of Egypt and the Great Wall of China, which can, in fact, be seen today from Earth orbit. The idea that geometrical order reveals an underlying intelligence was central to Kepler’s life. His argument on the lunar craters is a clear foreshadowing of the Martian canal controversy (Chapter 5). It is striking that the observational search for extraterrestrial life began in the same generation as the invention of the telescope, and with the greatest theoretician of the age.

Parts of the Somnium were clearly autobiographical. The hero, for example, visits Tycho Brahe. He has parents who sell drugs. His mother consorts with spirits and daemons, one of whom eventually provides the means to travel to the moon. The Somnium makes clear to us, although it did not to all of Kepler’s contemporaries, that “in a dream one must be allowed the liberty of imagining occasionally that which never existed in the world of sense perception.” Science fiction was a new idea at the time of the Thirty Years’ War, and Kepler’s book was used as evidence that his mother was a witch.

In the midst of other grave personal problems, Kepler rushed to Württemberg to find his seventy-four-year-old mother chained in a Protestant secular dungeon and threatened, like Galileo in a Catholic dungeon, with torture. He set about, as a scientist naturally would, to find natural explanations for the various events that had precipitated the accusations of witchcraft, including minor physical ailments that the burghers of Württemberg had attributed to her spells. The research was successful, a triumph, as was much of the rest of his life, of reason over superstition. His mother was exiled, with a sentence of death passed on her should she ever return to Württemberg; and Kepler’s spirited defense apparently led to a decree by the Duke forbidding further trials for witchcraft on such slender evidence.

The upheavals of the war deprived Kepler of much of his financial support, and the end of his life was spent fitfully, pleading for money and sponsors. He cast horoscopes for the Duke of Wallenstein, as he had done for Rudolf II, and spent his final years in a Silesian town controlled by Wallenstein and called Sagan. His epitaph, which he himself composed, was: “I measured the skies, now the shadows I measure. Sky-bound was the mind, Earth-bound the body rests.” But the Thirty Years’ War obliterated his grave. If a marker were to be erected today, it might read, in homage to his scientific courage: “He preferred the hard truth to his dearest illusions.”

Johannes

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