Cow-Country [39]
his own peace of mind he did not dare. He thought that he knew now what it was he had seen in the depth of her eyes, but there seemed to be nothing that he could do to help.
That evening after supper Honey Krause called to him when he was starting down to the bunk-house with the other men. What she said was that she still had his guitar and mandolin, and that they needed exercise. What she looked was the challenge of a born coquette. In the kitchen dishes were rattling, but after they were washed there would be a little leisure, perhaps, for the kitchen drudge. Bud's impulse to make his sore hands an excuse for refusing evaporated. It might not be wise to place himself deliberately in the way of getting a hurt--but youth never did stop to consult a sage before following the lure of a woman's eyes.
He called back to Honey that those instruments ought to have been put in the hayfield, where there was more exercise than the men could use. "You boys ought to come and see me safe through with it," he added to the loitering group around him. "I'm afraid of women."
They laughed and two or three went with him. Lew went on to the corral and presently appeared on horseback, riding up to the kitchen and leaving his horse standing at the corner while he went inside and talked to the woman he had called Marian.
Bud was carrying his guitar outside, where it was cooler, when he heard the fellow's arrogant voice. The dishes ceased rattling for a minute, and there was a sharp exclamation, stifled but unmistakable. Involuntarily Bud made a movement in that direction, when Honey's voice stopped him with a subdued laugh.
"That's only Lew and Mary Ann," she explained carelessly. "They have a spat every time they come within gunshot of each other."
The lean fellow who had driven the mower, and whose name was Jerry Myers, edged carelessly close to Bud and gave him a nudge with his elbow, and a glance from under his eyebrows by way of emphasis. He turned his head slightly, saw that Honey had gone into the house, and muttered just above a whisper, "Don't see or hear anything. It's all the help you can give her. And for Lord's sake don't let on to Honey like you--give a cuss whether it rains or not, so long 's it don't pour too hard the night of the dance."
Bud looked up at the darkening sky speculatively, and tried not to hear the voices in the kitchen, one of which was brutally harsh while the other told of hate and fear suppressed under gentle forbearance. The harsh voice was almost continuous, the other infrequent, reluctant to speak at all. Bud wanted to go in and smash his guitar over the fellow's head, but Jerry's warning held him. There were other ways, however, to help; if he must not drive off the tormentor, then he would call him away. He ignored his bruised knuckles and plucked the guitar strings as if he held a grudge against them, and then began to sing the first song that came into his mind--one that started in a rollicky fashion.
Men came straggling up from the bunk-house before he had finished the first chorus, and squatted on their heels to listen, their cigarettes glowing like red fingertips in the dusk. But the voice in the kitchen talked on. Bud tried another--one of those old-time favorites, a "laughing coon" song, though he felt little enough in the mood for it. In the middle of the first laugh he heard the kitchen door slam, and Lew's footsteps coming around the corner. He listened until the song was done, then mounted and rode away, Bud's laugh following him triumphantly--though Lew could not have guessed its meaning.
Bud sang for two hours expectantly, but Marian did not appear, and Bud went off to the bunk-house feeling that his attempt to hearten her had been a failure. Of Honey he did not think at all, except to wonder if the two women were related in any way, and to feel that if they were Marian was to be pitied. At that point Jerry overtook him and asked for a match, which gave him an excuse to hold Bud behind the others.
"Honey like to have caught me, to-night," Jerry observed guardedly.
That evening after supper Honey Krause called to him when he was starting down to the bunk-house with the other men. What she said was that she still had his guitar and mandolin, and that they needed exercise. What she looked was the challenge of a born coquette. In the kitchen dishes were rattling, but after they were washed there would be a little leisure, perhaps, for the kitchen drudge. Bud's impulse to make his sore hands an excuse for refusing evaporated. It might not be wise to place himself deliberately in the way of getting a hurt--but youth never did stop to consult a sage before following the lure of a woman's eyes.
He called back to Honey that those instruments ought to have been put in the hayfield, where there was more exercise than the men could use. "You boys ought to come and see me safe through with it," he added to the loitering group around him. "I'm afraid of women."
They laughed and two or three went with him. Lew went on to the corral and presently appeared on horseback, riding up to the kitchen and leaving his horse standing at the corner while he went inside and talked to the woman he had called Marian.
Bud was carrying his guitar outside, where it was cooler, when he heard the fellow's arrogant voice. The dishes ceased rattling for a minute, and there was a sharp exclamation, stifled but unmistakable. Involuntarily Bud made a movement in that direction, when Honey's voice stopped him with a subdued laugh.
"That's only Lew and Mary Ann," she explained carelessly. "They have a spat every time they come within gunshot of each other."
The lean fellow who had driven the mower, and whose name was Jerry Myers, edged carelessly close to Bud and gave him a nudge with his elbow, and a glance from under his eyebrows by way of emphasis. He turned his head slightly, saw that Honey had gone into the house, and muttered just above a whisper, "Don't see or hear anything. It's all the help you can give her. And for Lord's sake don't let on to Honey like you--give a cuss whether it rains or not, so long 's it don't pour too hard the night of the dance."
Bud looked up at the darkening sky speculatively, and tried not to hear the voices in the kitchen, one of which was brutally harsh while the other told of hate and fear suppressed under gentle forbearance. The harsh voice was almost continuous, the other infrequent, reluctant to speak at all. Bud wanted to go in and smash his guitar over the fellow's head, but Jerry's warning held him. There were other ways, however, to help; if he must not drive off the tormentor, then he would call him away. He ignored his bruised knuckles and plucked the guitar strings as if he held a grudge against them, and then began to sing the first song that came into his mind--one that started in a rollicky fashion.
Men came straggling up from the bunk-house before he had finished the first chorus, and squatted on their heels to listen, their cigarettes glowing like red fingertips in the dusk. But the voice in the kitchen talked on. Bud tried another--one of those old-time favorites, a "laughing coon" song, though he felt little enough in the mood for it. In the middle of the first laugh he heard the kitchen door slam, and Lew's footsteps coming around the corner. He listened until the song was done, then mounted and rode away, Bud's laugh following him triumphantly--though Lew could not have guessed its meaning.
Bud sang for two hours expectantly, but Marian did not appear, and Bud went off to the bunk-house feeling that his attempt to hearten her had been a failure. Of Honey he did not think at all, except to wonder if the two women were related in any way, and to feel that if they were Marian was to be pitied. At that point Jerry overtook him and asked for a match, which gave him an excuse to hold Bud behind the others.
"Honey like to have caught me, to-night," Jerry observed guardedly.