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Crotchet Castle [40]

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the pool, forming a fork with its boughs at a short distance from the rock. Miss Susannah often sat on the rock, with her feet resting on this tree; in time, she made her seat on the tree itself, with her feet hanging over the abyss; and at length, she accustomed herself to lie along upon its trunk, with her side on the mossy bole of the fork, and an arm round one of the branches. From this position a portion of the sky and the woods was reflected in the pool, which, from its bank, was but a mass of darkness. The first time she reclined in this manner, her heart beat audibly; in time she lay down as calmly as on the mountain heather; the perception of the sublime was probably heightened by an intermingled sense of danger; and perhaps that indifference to life, which early disappointment forces upon sensitive minds, was necessary to the first experiment. There was, in the novelty and strangeness of the position, an excitement which never wholly passed away, but which became gradually subordinate to the influence, at once tranquillising and elevating, of the mingled eternity of motion, sound, and solitude.

One sultry noon, she descended into this retreat with a mind more than usually disturbed by reflections on the past. She lay in her favourite position, sometimes gazing on the cataract; looking sometimes up the steep sylvan acclivities, into the narrow space of the cloudless ether; sometimes down into the abyss of the pool, and the deep bright-blue reflections that opened another immensity below her. The distressing recollections of the morning, the world and all its littlenesses, faded from her thoughts like a dream; but her wounded and wearied spirit drank in too deeply the tranquillising power of the place, and she dropped asleep upon the tree like a ship-boy on the mast.

At this moment Mr. Chainmail emerged into daylight, on a projection of the opposite rock, having struck down through the woods in search of unsophisticated scenery. The scene he discovered filled him with delight: he seated himself on the rock, and fell into one of his romantic reveries; when suddenly the semblance of a black hat and feather caught his eye among the foliage of the projecting oak. He started up, shifted his position, and got a glimpse of a blue gown. It was his lady of the lake, his enchantress of the ruined castle, divided from him by a barrier which, at a few yards below, he could almost overleap, yet unapproachable but by a circuit perhaps of many hours. He watched with intense anxiety. To listen if she breathed was out of the question: the noses of a dean and chapter would have been soundless in the roar of the torrent. From her extreme stillness, she appeared to sleep: yet what creature, not desperate, would go wilfully to sleep in such a place? Was she asleep, then? Nay, was she alive? She was as motionless as death. Had she been murdered, thrown from above, and caught in the tree? She lay too regularly and too composedly for such a supposition. She was asleep, then, and, in all probability, her waking would be fatal. He shifted his position. Below the pool two beetle-browed rocks nearly overarched the chasm, leaving just such a space at the summit as was within the possibility of a leap; the torrent roared below in a fearful gulf. He paused some time on the brink, measuring the practicability and the danger, and casting every now and then an anxious glance to his sleeping beauty. In one of these glances he saw a slight movement of the blue gown, and, in a moment after, the black hat and feather dropped into the pool. Reflection was lost for a moment, and, by a sudden impulse, he bounded over the chasm.

He stood above the projecting oak; the unknown beauty lay like the nymph of the scene; her long black hair, which the fall of her hat had disengaged from its fastenings, drooping through the boughs: he saw that the first thing to be done, was to prevent her throwing her feet off the trunk, in the first movements of waking. He sat down on the rock, and placed his feet on the stem, securing her ankles
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