Crush - Alan Jacobson [19]
“Which agency are you with?” Vail asked.
“I’m an investigator with the Napa County District Attorney’s office.”
“I’m actually a profiler with Behavioral Analysis Unit,” Vail said.
“Oh,” Dixon said.
‘Oh?’ What does that mean?
“Okay,” Brix said, “let’s get started.” He took a step forward and handed Vail a thick card. “Electronic key. The proximity card will give you admittance to the building and restricted areas. Feel free to use it while you’re here, but we’ll need the prox card back when you leave.”
Vail took it and shoved it into her purse.
“I’ve sent all of you the email with what we had as of last night,” Brix said, passing a stapled sheaf of papers to Vail. The others had official county binders in front of them with requisite materials fastened and punched. “I’ve got a few updates, and some pictures of the victim.” He nodded to Fuller, who took a seat at the conference table in front of the laptop.
Fuller reached around his binder and fingered the touchpad. The screen awoke and displayed photos of the Silver Ridge Estates wine cave interior. Fuller hit a button on a nearby remote. A screen unfurled from the ceiling and the blue light from a projector splashed across it. Fuller pressed a couple of keys and the enlarged image appeared for all to see.
Brix took the group through the crime scene, describing what they were seeing as a supplement to the email he had sent them. Vail studied the photos. They were no doubt taken a short time after she and Robby had left the Silver Ridge wine cave. “Coroner says both wrists were sliced deeply. She bled out fairly slowly because it was done postmortem. Looks like she was strangled.” He nodded to Fuller, who pressed a button on his remote. The slide changed to a close-up of the woman’s neck. Bruising was evident across the skin. “A knife was found beneath the woman’s lower back. Scott.”
Fuller advanced to the next slide. A glistening stainless steel blade filled the screen. “Coroner said it was incredibly sharp, like it had never been used. Problem is, it’s a pretty common kitchen knife made by Henckels.” Nodded to Fuller. Next slide. “And something of interest to Agent Vail . . . the victim’s second toenail on the right foot was torn from the nail bed. Agent Vail?”
Vail leaned forward. “Yes. Well, the fact that the killer did this means that it had some significance to him. What that is, we don’t know yet. But briefly, this is what we call—”
“Signature,” Fuller said.
“Well, we used to call it signature,” Vail corrected. “But we now refer to it as ritual, or ritual behavior. That means it’s something the Unknown Subject, or UNSUB, does with the body that’s superfluous to his primary goal, which is killing his victim. In other words, it doesn’t result in the victim’s death, and it doesn’t help him avoid being caught. So it really has no relevance to anything—except that it’s deeply significant, and symbolic, for the killer. It feeds a deep-seated psychosexual need.”
She glanced over at Fuller, whose mouth was twisted and his gaze elsewhere—in his binder, to be exact. Maybe he didn’t like being corrected in front of the team. Great, more group dynamics to have to deal with.
“What I can tell you,” Vail said, “is that it’s my strong opinion this UNSUB has killed before.”
“How do you get that?” Dixon asked.
“Forget, for a moment, the other body we unearthed. If we just look at the wine cave kill, there were no hesitation marks with the blade. He strangled the vic, then sliced her wrists to allow the blood to drain. He then severed the breasts and removed the toenail. Very organized, efficient approach.” Vail curled some red hair behind her ear. “Something I think we all need to consider is that the key to this case could be access.”
“Access?” Brix asked.
“When you’re dealing with a murdered prostitute or druggie, you’re generally talking about publicly accessible places. But this is a cave, a wine cave that costs money—a lot of money—to get into. So we can narrow our offender pool of suspects