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Crypt of the shadowking - Mark Anthony [60]

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but I think we can imagine that many lands fell under the Shadow-king's dominion." He turned the page. "This, I think, is the important passage.

"'… so began the forging of the Nightstone. It was a gem wrought by the hand of the Shadowking from his own essence, but it was not beautiful to look upon. Rather it was as dark and cold as death. With it the Shadowking meant to gain sway over the spirits of men and bring countless realms under his dire rule.

'"Yet when the Shadowking first took up the Nightstone in his hand to wield it, he discovered that he had been tricked. The mute troll who had worked the bellows of the Shadowking's forge cast off his disguise, revealing himself as the great bard named Talek Talembar.

"'In his rapture, the Shadowking had detected not the enchantment which Talembar had bound subtly within the Nightstone. The gem refused to obey its creator, but rather heeded only the power of the magical song which Talembar played upon his pipes.'"

Morhion turned another page. "'For seven days and seven nights the Shadowking wrestled with Talek Talembar, and the earth shook with the fury of their battle. But in the end victory belonged to Talembar. At the end of all things the great bard raised his pipes to his lips and played the shadow song, weaving its enchantment about the Shadowking and his dark creation, the Nightstone. The Shadowking bowed on bended knee to the bard who had defeated him. Then did Talembar bind his vanquished foe within a great crypt, and over the crypt he raised a cairn higher than a hill. And the power of the Nightstone was hidden away forevermore.'"

Morhion stopped then, shutting the book carefully.

"But what happened to Talek Talembar after he defeated the Shadowking?" Man asked.

Morhion shrugged. "I cannot say. The passage remains unfinished."

Mari frowned. It disappointed her that the tale told nothing more about the hero named Talembar.

"I don't understand," Caledan said with a scowl, starting to pace once again. "What does any of this have to with Ravendas and Iriaebor?"

"The Mal'eb'dala says Talek Talembar raised a great mound over the Shadowking's crypt," the mage answered, "a mound as high as a hill. I think that hill of legend is the very Tor upon which Iriaebor stands. I think Ravendas is digging within, searching for the Shadowking's crypt"

"Then it's the Nightstone she seeks," Mari interrupted, and the mage nodded.

"Perhaps it is only a legend and nothing more," Morhion said, returning the book to its shelf. "But what if it is not? If the Nightstone was real, and Ravendas held it in her hand, she would have the power to enslave every man and woman in Iriaebor, perhaps even beyond."

Mari clenched her jaw. "The Harpers will never allow this," she said grimly.

"Damn the Harpers," Caledan said angrily. Mari looked at him in surprise, but he glared back defiantly. "I will not allow this."

Caldorien and the Harper were gone. The mage, Morhion Gen'dahar, sat alone by the fire in his tower. He' studied the runes he had scattered across a wooden tray lined with dark velvet. There were nine of them, each a small square of fired clay embossed with a single rune. Sometimes he saw hints of the future in the patterns they formed. It was these very runes that so far had kept him from moving against Ravendas. And now Caldorien had come, just as the runes foretold. In his heart he found he was gladdened to know that Caldorien yet lived. There had been madness in the man's eyes the last time the mage had seen him. But that had been long ago. He supposed Caldorien considered him an enemy now, but that did not matter.

What mattered now was the Nightstone, and nothing else.

These last seven years had been trying. They had been long years, years of waiting. Morhion had been forced to stoop to working as a court magician to support himself and his work. How much time had he wasted, advising foppish lords and entertaining petty nobles? How many times had he been forced to create a disguise for an adulterous husband, or conjure frivolities of illusion for a tittering contessa, when

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