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Curtain - Agatha Christie [80]

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intending to work through the English countryside (he has struck in Andover, Bexhill-on-Sea, and Churston) and exercise Poirot along the way. Serialized in London’s Daily Express, The ABC Murders became a cultural phenomenon as readers were invited to try to keep up with the famous Belgian detective. It is a challenge that remains fresh and thrilling to this day — and makes The ABC Murders one of the absolute must-reads of the Christie canon.

Julian Symons: ‘A masterwork of carefully concealed artifice… most stunningly original.’

Sunday Times: ‘There is no more cunning player of the murder game than Agatha Christie.’

14. Murder in Mesopotamia (1936)

Nurse Amy Leatheran had never felt the lure of the ‘mysterious East,’ but she nonetheless accepts an assignment at Hassanieh, an ancient site deep in the Iraqi desert, to care for the wife of a celebrated archaeologist. Mrs Leidner is suffering bizarre visions and nervous terror. ‘I’m afraid of being killed!’ she admits to her nurse. Her terror, unfortunately, is anything but unfounded, and Nurse Leatheran is soon enough without a patient. The world’s greatest detective happens to be in the vicinity, however: having concluded an assignment in Syria, and curious about the dig at Hassanieh, Hercule Poirot arrives in time to lead a murder investigation that will tax even his remarkable powers — and in a part of the world that has seen more than its share of misadventure and foul play.

The New York Times: ‘Smooth, highly original, and completely absorbing.’

15. Cards on the Table (1936)

‘The deduction,’ Agatha Christie writes in her Foreword to this volume, ‘must ... be entirely psychological ... because when all is said and done it is the mind of the murderer that is of supreme interest.’ There is probably no neater encapsulation of what makes Agatha Christie’s works so fresh, so fascinating, so many years after they were written. And this statement appropriately opens the novel that is regarded as Agatha Christie’s most singularly challenging mystery — it is, in fact, Hercule Poirot’s own favourite case.

Poirot is one of eight dinner guests of the flamboyant Mr Shaitana. The other invitees are Superintendent Battle of Scotland Yard (introduced in The Secret of Chimneys); Secret Service agent Colonel Race (who first appeared in The Man in the Brown Suit); Mrs Ariadne Oliver, a famous author of detective stories (introduced in Parker Pyne Investigates and who will figure in five more Poirots) — and four suspected murderers. After dinner, there will be a few rounds of bridge: the four investigators playing at one table; the four murder suspects at another. Mr Shaitana will sit by the fire and observe. This he does — until he is stabbed to death. The ultimate ‘closed-room murder mystery’ awaits the intrepid reader. Who is the murderer? And who will solve the crime?

Fair warning: Poirot casually reveals the solution to Murder on the Orient Express in Cards on the Table.

Daily Mail: ‘The finest murder story of her career… Mrs Christie has never been more ingenious.’

16. Murder in the Mews (1937)

In the title work in this collection of novellas, Poirot and Inspector Japp collaborate on the investigation of a suspicious suicide. The supernatural is said to play in the disappearance of top secret military plans in The Incredible Theft — an incredible claim, indeed, as Poirot will prove. The bullet that kills Gervase Chevenix-Gore shatters a mirror in Dead Man’s Mirror — just the clue Poirot needs to solve the crime. And, while basking on white Mediterranean sands, Poirot stares trouble in the face — the beautiful face of Valentine Chantry, now celebrating her fifth marriage — in Triangle at Rhodes.

Daily Mail: ‘All four tales are admirable entertainment… Mrs Christie’s solutions are unexpected and satisfying.’

17. Dumb Witness (1937)

Agatha Christie wrote this mystery for dog lovers. She was certainly one herself, dedicating the novel to her own pet. Captain Arthur Hastings, in his penultimate Poirot appearance (like Poirot, Curtain will be his last), again

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