Cutting for Stone - Abraham Verghese [117]
On a Friday evening, our last weekend before school started, I rode with Ghosh to see Farinachi, the toolmaker. Ghosh handed Farinachi two old stethoscopes and a drawing of his idea for a teaching stethoscope. Farinachi, a dour, stooped Sicilian, wore a vest under his leather apron. He studied the drawing carefully through a haze of cigar smoke, tracing the outline with a large forefinger. He had fashioned several contraptions for Ghosh, including the Ghosh Retractor, and the Ghosh Scalp Clip. Farinachi shrugged, as if to say if that was what Ghosh wanted, he would do it.
As we were driving back, Ghosh pulled out a present hed wrapped for me. It was my very own brand-new stethoscope. “You don't have to wait for Farinachi. Now that you know your pulses, we're going to start listening to heart sounds.” I was moved. It was the first gift I'd ever received that wasn't one of a pair. This was mine alone.
Looking back, I realize Ghosh saved me when he called me to feel Demisse's pulse. My mother was dead, and my father a ghost; increasingly I felt disconnected from Shiva and Hema, and guilty for feeling that way. Ghosh, in giving me the stethoscope, was saying, Marion, you can be you. It's okay. He invited me to a world that wasn't secret, but it was well hidden. You needed a guide. You had to know what to look for, but also how to look. You had to exert yourself to see this world. But if you did, if you had that kind of curiosity if you had an innate interest in the welfare of your fellow human beings, and if you went through that door, a strange thing happened: you left your petty troubles on the threshold. It could be addictive.
CHAPTER 22
The School of Suffering
ONE MORNING toward the end of Michaelmas term, as Shiva, Genet, and I walked to Missing's gate, school satchels in hand, I saw a couple racing up the hill toward us, a child flopping lifeless in the man's arms. They were ready to drop, yet still trying to run up that incline when they had no breath to walk. But as long as they ran with the child in their arms, it was still alive to them, and there was hope.
Without a moment's hesitation, ShivaMarion raced to meet them. The parents’ distress triggered this, gave us no time to debate our response, as a higher brain emerged, doing the deciding for us and guiding us to move as one organism if we knew what was best. I remember thinking, in the midst of that panic, how much I missed that state and how exhilarating it was to be ShivaMarion. Even as I grabbed the infant boy from the father (whose gait by now had become a weary shuffle) and raced away, Shiva's steady hand on my low back was my afterburner, and he matched my stride perfectly, ready to take over when I tired. I was conscious of the baby's skin, the way it chilled my hand, sucking the heat out of it as I ran—I knew I'd never again take being “warm-blooded” for granted, having now felt the alternative.
We handed the child over in Casualty and we waited outside, panting. When the parents caught up, we held the doors open for them. Minutes later we heard a scream, then loud protests, and ultimately the wailing that means the same in any language. It was all too familiar a sound.
There was another Missing sound that made my adrenaline flow: it was the shrieking, grating sound of Gebrew dragging the big gate open as fast as it would go. It always signaled a dire emergency.
A childhood at Missing imparted lessons about resilience, about fortitude, and about the fragility of life. I knew better than most children how little separated the world of health from that of disease, living flesh from the icy touch of the dead, the solid ground from treacherous bog.
Id learned things about suffering that weren't taught to me by Ghosh: First, that white was the uniform of suffering, and cotton its fabric. Whether it was thin (a shama or nettald) or heavy as a blanket (in which case it was a gabby), it must keep the head warm and the mouth covered—no sun or wind should hit because these elements