Cutting for Stone - Abraham Verghese [23]
She grunted, remembering how Dr. Ghosh had invented a special term for her: magnified. Years later, when Hindi movies with their song and dance became all the rage in Africa, the ward boys in Addis Ababa would call her Mother India, not in mockery, but in reverence for the tearjerker of the same name starring Nargis. Mother India had run for three straight months at the Empire Theater and then moved to the Cinema Adowa; that, too, without the benefit of subtitles. The ward boys could be heard singing “Duniya Mein Hum Aaye Hain”—”We've Arrived in This World”—though they didn't understand a word of Hindustani.
“And if I'm magnified, what term shall we apply to you?” she said, carrying on the imaginary conversation, surveying her old friend from head to foot. He was not a conventionally good-looking man. “How about ‘alien’? I mean it as a compliment. I say ‘alien,’ Ghosh, because you are so unaware of yourself, of your looks. There's a seduction in that for others. Alien becomes beauty. I'm saying this to you because you're not here. To be around someone whose self-confidence is more than what our first glance led us to expect is seductive.”
Mysteriously, during her holidays, Ghosh's name kept popping up in her conversations with her mother. Despite Hema's lack of interest in marriage, her mother was terrified that her daughter would end up with a non-Brahmin, someone like Ghosh. And yet as Hema neared thirty her mother had begun to feel that any husband was better than no husband at all.
“You say he's not handsome? Does he have good color?”
“Ma, he's fair … fairer than me, and he has brown eyes. Bengali, Parsi, and God knows what other influences in those eyes.”
“What is he?”
“He calls himself high-caste Madras mongrel,” she said, giggling. Her mother's frown threatened to swallow her nose, and so Hema had changed the subject.
Besides, it was impossible to construct a Ghosh for someone who'd never met him. She could say that his hair was combed flat and parted in the middle, looking sleek and smart for about ten minutes in the morning, but after that, the hairs broke loose like rioting children. She could say how at any time of the day, even after he had just shaved, black stubble showed under his jaw. She could say that his neck was nonexistent, squashed down by a head shaped like a jackfruit. She could say he just looked short because of a slight belly whose size was exaggerated in the way he leaned back and swayed from side to side as he walked, which drew the eye away from the vertical. Then there was his voice, unmodulated and startling, as if the volume knob had frozen on its highest setting. How could she convey to her mother that the sum total of all this made him not ugly, but strangely beautiful.
Despite the rash on the backs of his hands—a burn, really—his fingers were sensual. The ancient X-ray machine, a Kelley-Koett, had caused the rash. Just thinking of the “Koot” made Hema's blood boil. In 1909, Emperor Menelik had imported an electric chair, having heard the invention would efficiently get rid of his enemies. When he discovered it needed electricity, he simply used it as a throne. Similarly, the big Kelley-Koett had come in the 1930s with an eager American mission group that soon realized that, even though electricity had arrived in Addis Ababa, it was intermittent and the voltage insufficient for such a temperamental beast. When the mission folded, the precious unpacked machine had been simply left behind. Missing lacked an X-ray machine, and so Ghosh reassembled the unit and matched it to a transformer.
No one but Ghosh dared touch the Koot. Cables ran from its giant rectifier to the Coolidge tube, which sat on a rail and could be moved this way and that. He worked the dials and voltage levers until a spark leaped across the two brass conductors, producing a thunderclap. The fiery display had caused one paralyzed patient to leap off the stretcher and run for his life; Ghosh called that the Sturm und Drang cure. He was the Koot's keeper, repairing it, babying it so that three decades