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Cutting for Stone - Abraham Verghese [277]

By Root 1302 0
away its true identity.

I operated three days a week, and when my return ticket to New York was about to expire, I did nothing.

Shiva's liver functioned beautifully in me year after year. The shots of hepatitis B immunoglobulin helped. The virus became so dormant that my blood tests showed I wasn't a carrier, and that I couldn't infect anyone. Matron insisted it was a miracle, and I had to agree.

In 1991, five years after my return, I stood by the gates of Missing just as I had when I was a child, and I watched the forces of the Tigre People's Liberation Front and other freedom fighters make their way into the city. They were dressed in the same functional shirts, shorts, and sandals of the guerrillas I had seen in Eritrea, bandoliers crisscrossing their chests, rifles in their hands. They didn't march in formation, yet their faces showed the discipline and confidence of men who believed in their cause. There was no looting, no mayhem. The only looting was by the Comrade President-for-Life, who emptied the Treasury and flew with his loot to Zimbabwe, where his fellow looter, Mugabe, gave him refuge. Mengistu was a despised figure, a blight on the nation, a man about whom to this day no one can find a good word to say Almaz said that the souls of all those he murdered were assembled in a stadium, waiting to give him a reception on his way to hell.


EVERY EVENING I checked on Matron before I went to bed. She was so tremulous and bent over with age, but her joy in life was unchanged. We would have a cup of cocoa together. Her only LP—Bach—played in the background on the small gramophone I had bought for her. She never tired of the “Gloria,” which I will always associate with her. As Id sit with her, she would look over and smile as if she always knew Id come back to the land I had once disowned. It had been Matron's wish that God might call her either during her prayers or her sleep, and He obliged. It was 1991, a few months after the President-for-Life fled; I found her in her chair, the record still spinning on her gramophone. Just the previous morning she had been supervising the planting of a new cultivar, the Rosa rubiginosa Shiva, which she had officialy registered with the Royal Society. To me it looked as if the whole city, rich and poor, turned out for her funeral. Almaz said that the streets to heaven were lined by the souls of those who were grateful to Matron, and that her throne was next to Mary's.

Almaz and Gebrew were retired and ensconced in new, comfortable quarters built for them at Missing, free to spend their time in any way they chose. I suppose it should not have surprised me that they would spend it in fasting and prayer.

The Shiva Stone Institute for Fistula Surgery with Hema as its titular head grew, as did its funding. Hema worked every day, and zealous young gynecologists from within the country, but also from other African nations, came to train and take up the cause. The Staff Probationer, whose room I had visited so many years ago, had become a skilled assistant under Shiva's tutelage, and now, with Hema's encouragement, she was a confident surgeon on her own, well suited to the painstaking task of training the young doctors who came to learn how to treat this one condition. I insisted on learning her real name, and reluctantly she told me it was Naeema. But it was not a name she ever used; she had become the Staff Probationer even to herself.

In going through Matron's papers, I discovered that the anonymous donor who had modestly funded Shiva's work for so many years was none other than Thomas Stone. Now he worked to direct other donors and foundations to support Missing.


I HAD TO WAIT till 2004 for Sister Mary Joseph Praise's message to reach me. It happened just after New Year's on the Western calendar, a time when the mimosa trees that surrounded the outpatient building had sprung their violet and yellow blooms and Missing was enveloped in the scent of vanilla.

I'd gone into the autoclave room between patients. The framed print of Bernini's Ecstasy of St. Teresa looked slightly askew.

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