Dancing With Bears - Michael Swanwick [141]
Closing the door behind her so that the final file was wedged under it, half on the landing and half in the study, Pepsicolova studied the dogs dispassionately. Had they been human beings, she would have left them in their cages without a second thought. She did not much like people. In her experience, they deserved pretty much whatever happened to them. But these were dogs and hence as innocent as she had been when the secret police had first brought her, naked and weeping, to this room. She could not let them die here.
Pepsicolova drew Big Ivan, the least favored of her knives, from her belt, and, using his hilt as a hammer, systematically smashed all the locks one by one.
The dogs leaped and danced as she released them, hysterical with freedom and fear. Some of them bit her, but they didn’t really mean it and so she didn’t mind.
She had just broken open the last of the cages when she heard footsteps on the stairs. “Don’t do this, please,” a woman’s voice pleaded. “Please, Sergei Nemovich. Let me go.” If there was a reply, Pepsicolova could not hear it.
Then Chortenko kicked open the basement door. He had the files she’d strewn about in the crook of one arm, and pulled an elegantly dressed society lady after him with the other. Her he threw into the room. Whipping off his glasses, he turned his bug-eyed gaze on Pepsicolova. His face was flushed with anger. But as always his tone was mild and controlled. “You have crossed a line, little Annushka,” he said. “So I—”
The dogs attacked.
Chortenko fell backward as he was swarmed and overwhelmed by the newly freed animals. The society lady darted into a corner, shrieking with fear. But the dogs did not attack her. They were all rabid to tear the flesh from their tormentor’s living body. Snarling and snapping and foaming at the jaw, they fought each other to get at Chortenko. But if the male dogs were savage, the bitches were even worse, ripping and tearing at the spymaster with unholy glee.
Foremost among them was Pepsicolova herself.
Her knives were forgotten. She used only her jaws and nails. The sound that Chortenko made as her teeth sank into his throat—a high-pitched sort of scream, more of a squeal, actually—was almost as good as the taste of the flesh she ripped from his struggling body.
Arkady, meanwhile, was staggering through the ruins of the Terem Palace, half-blinded by his mask. He was not precisely clear how he had found his way here. But the fragmentary decoration was familiar to him from his schoolboy history texts. The Duke of Muscovy must surely be here somewhere! Yet nowhere in this shambles could he find any trace of that great man.
Icons crunched beneath his shoes. He tripped over an enamel stove and fell flat on his face. When he regained his feet, a staircase opened up before him and all in a rush he found himself down at its bottom.
At last, Arkady stumbled into the Golden Porch, an antechamber of sorts into which a passage from the Great Kremlin Palace debouched. This room, unlike all the others he had seen, was at least intact. But it too was deserted.
Disheartened and exhausted, Arkady sank down at the top of a short flight of stairs overlooking the antechamber. In daylight, assuredly, it would have looked splendid. Now, however, lit by only two guttering candle-lanterns, one to either side of the stairs, it was cavernous and dark, a palace of shadows at the end of time. Was everybody else dead and only he alive? Had he somehow outlived humanity, dooming himself to eternal desolation and despair? Or was he himself dead and inexplicably condemned to search through the ruins of his life, forever seeking and never finding?
Such were his confused and incoherent thoughts when the Pearls Beyond Price flowed through the doorway into the Golden Porch, chattering