Darwin and Modern Science [35]
to sense-organs in general. In this case, again, the selection-value of the initial stages hardly admits of doubt; better vision DIRECTLY secures reproduction.
In many cases THE ORGAN OF SMELL shows a similar improvement. Many lower Crustaceans (Daphnidae) have better developed organs of smell in the male sex. The difference is often slight and amounts only to one or two olfactory filaments, but certain species show a difference of nearly a hundred of these filaments (Leptodora). The same thing occurs among insects.
We must briefly consider the clasping or grasping organs which have developed in the males among many lower Crustaceans, but here natural selection plays its part along with sexual selection, for the union of the sexes is an indispensable condition for the maintenance of the species, and as Darwin himself pointed out, in many cases the two forms of selection merge into each other. This fact has always seemed to me to be a proof of natural selection, for, in regard to sexual selection, it is quite obvious that the victory of the best-equipped could have brought about the improvement only of the organs concerned, the factors in the struggle, such as the eye and the olfactory organ.
We come now to the EXCITANTS; that is, to the group of sexual characters whose origin through processes of selection has been most frequently called in question. We may cite the LOVE-CALLS produced by many male insects, such as crickets and cicadas. These could only have arisen in animal groups in which the female did not rapidly flee from the male, but was inclined to accept his wooing from the first. Thus, notes like the chirping of the male cricket serve to entice the females. At first they were merely the signal which showed the presence of a male in the neighbourhood, and the female was gradually enticed nearer and nearer by the continued chirping. The male that could make himself heard to the greatest distance would obtain the largest following, and would transmit the beginnings, and, later, the improvement of his voice to the greatest number of descendants. But sexual excitement in the female became associated with the hearing of the love-call, and then the sound-producing organ of the male began to improve, until it attained to the emission of the long-drawn-out soft notes of the mole-cricket or the maenad-like cry of the cicadas. I cannot here follow the process of development in detail, but will call attention to the fact that the original purpose of the voice, the announcing of the male's presence, became subsidiary, and the exciting of the female became the chief goal to be aimed at. The loudest singers awakened the strongest excitement, and the improvement resulted as a matter of course. I conceive of the origin of bird-song in a somewhat similar manner, first as a means of enticing, then of exciting the female.
One more kind of secondary sexual character must here be mentioned: the odour which emanates from so many animals at the breeding season. It is possible that this odour also served at first merely to give notice of the presence of individuals of the other sex, but it soon became an excitant, and as the individuals which caused the greatest degree of excitement were preferred, it reached as high a pitch of perfection as was possible to it. I shall confine myself here to the comparatively recently discovered fragrance of butterflies. Since Fritz Muller found out that certain Brazilian butterflies gave off fragrance "like a flower," we have become acquainted with many such cases, and we now know that in all lands, not only many diurnal Lepidoptera but nocturnal ones also give off a delicate odour, which is agreeable even to man. The ethereal oil to which this fragrance is due is secreted by the skin-cells, usually of the wing, as I showed soon after the discovery of the SCENT-SCALES. This is the case in the males; the females have no SPECIAL scent-scales recognisable as such by their form, but they must, nevertheless, give off an extremely delicate fragrance, although our imperfect organ
In many cases THE ORGAN OF SMELL shows a similar improvement. Many lower Crustaceans (Daphnidae) have better developed organs of smell in the male sex. The difference is often slight and amounts only to one or two olfactory filaments, but certain species show a difference of nearly a hundred of these filaments (Leptodora). The same thing occurs among insects.
We must briefly consider the clasping or grasping organs which have developed in the males among many lower Crustaceans, but here natural selection plays its part along with sexual selection, for the union of the sexes is an indispensable condition for the maintenance of the species, and as Darwin himself pointed out, in many cases the two forms of selection merge into each other. This fact has always seemed to me to be a proof of natural selection, for, in regard to sexual selection, it is quite obvious that the victory of the best-equipped could have brought about the improvement only of the organs concerned, the factors in the struggle, such as the eye and the olfactory organ.
We come now to the EXCITANTS; that is, to the group of sexual characters whose origin through processes of selection has been most frequently called in question. We may cite the LOVE-CALLS produced by many male insects, such as crickets and cicadas. These could only have arisen in animal groups in which the female did not rapidly flee from the male, but was inclined to accept his wooing from the first. Thus, notes like the chirping of the male cricket serve to entice the females. At first they were merely the signal which showed the presence of a male in the neighbourhood, and the female was gradually enticed nearer and nearer by the continued chirping. The male that could make himself heard to the greatest distance would obtain the largest following, and would transmit the beginnings, and, later, the improvement of his voice to the greatest number of descendants. But sexual excitement in the female became associated with the hearing of the love-call, and then the sound-producing organ of the male began to improve, until it attained to the emission of the long-drawn-out soft notes of the mole-cricket or the maenad-like cry of the cicadas. I cannot here follow the process of development in detail, but will call attention to the fact that the original purpose of the voice, the announcing of the male's presence, became subsidiary, and the exciting of the female became the chief goal to be aimed at. The loudest singers awakened the strongest excitement, and the improvement resulted as a matter of course. I conceive of the origin of bird-song in a somewhat similar manner, first as a means of enticing, then of exciting the female.
One more kind of secondary sexual character must here be mentioned: the odour which emanates from so many animals at the breeding season. It is possible that this odour also served at first merely to give notice of the presence of individuals of the other sex, but it soon became an excitant, and as the individuals which caused the greatest degree of excitement were preferred, it reached as high a pitch of perfection as was possible to it. I shall confine myself here to the comparatively recently discovered fragrance of butterflies. Since Fritz Muller found out that certain Brazilian butterflies gave off fragrance "like a flower," we have become acquainted with many such cases, and we now know that in all lands, not only many diurnal Lepidoptera but nocturnal ones also give off a delicate odour, which is agreeable even to man. The ethereal oil to which this fragrance is due is secreted by the skin-cells, usually of the wing, as I showed soon after the discovery of the SCENT-SCALES. This is the case in the males; the females have no SPECIAL scent-scales recognisable as such by their form, but they must, nevertheless, give off an extremely delicate fragrance, although our imperfect organ