Daughter of Smoke and Bone - Laini Taylor [121]
Light blossomed overhead, a great and brilliant dahlia, a pinwheel, a star in nova. The sound was a cannonade. Drummers on the battlements. Black powder bursting in the air. The Emberlin broke apart as dancers shucked masks and threw back their heads to look up.
Madrigal moved. She took Akiva’s hand and ducked into the moil of the crowd. She kept low and moved fast. A channel seemed to open for them in the surge of bodies, and they followed it, and it carried them away.
55
CHILDREN OF REGRET
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived to come upon her bathing in the sea, and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim—misbegotten children of fire. And like their father, they believed it their due to want, and take, and have.
As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimaera, children of regret.
When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He pled with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever.
Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the seraphim. Her light is like a small sun; she chases away shadows.
Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights each year when she alone takes the sky. These are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddess of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
That was where Madrigal took Akiva when they fled the Warlord’s ball.
They flew. He kept his wings veiled, but it didn’t prevent his flying. By land, the requiem grove was unreachable. There were chasms in the hills, and sometimes rope bridges were strung across them—on Ellai nights, when devotees went cloaked to worship at the temple—but tonight there were none, and Madrigal knew they would have the temple to themselves.
They had the night. Nitid was still high. They had hours.
“That is your legend?” Akiva asked, incredulous. Madrigal had told him the story of the sun and Ellai while they flew. “That seraphim are the blood of a rapist sun?”
Madrigal said blithely, “If you don’t like it, take it up with the sun.”
“It’s a terrible story. What a brutal imagination chimaera have.”
“Well. We have had brutal inspiration.”
They reached the grove, and the dome of the temple was just visible through the treetops, silver mosaics glinting patterns through the boughs.
“Here,” said Madrigal, slowing with a backbeat to descend through a gap in the canopy. Her whole body thrilled with night wind and freedom, and with anticipation. In the back of her mind was fear of what would come later—the repercussions of her rash departure. But as she moved through the trees, it was drowned out by leaf rustle and wind music, and by the hish-hish all around. Hish-hish went the evangelines, serpent-birds who drank the night nectar of the requiem trees. In the dark of the grove, their eyes shone silver like the mosaics of the temple roof.
Madrigal reached the ground, and Akiva landed beside her in a gust of warmth. She faced him. They were still wearing their masks. They could have stripped them off while flying, but they hadn’t. Madrigal had been thinking of this moment, when they