Dead and Gone - Andrew Vachss [39]
“I do not have the address,” she said. “When they travel, they go with the wind. They have no plan. I never know where they stay, or when they are coming back. My job is to care for the house.”
“But, surely, if there was an emergency …?”
“There are no emergencies. If something happens to the house, I have numbers to call. The plumber, the electric people, the insurance company. And I know 911,” she said, her mouth twisting again in what I guessed was a smile.
“I was thinking of children. You know how they can …”
“Ah. They have no children.”
A fat cat the color of marmalade pranced into the kitchen. It ignored us disdainfully. The woman got up, opened a tiny can of something, and delicately forked it onto a white china plate. The cat approached, sniffed gingerly, then deigned to take a few queenly bites.
“Katrina is mine,” the woman said, stroking the cat’s lustrous fur. Answering a question nobody had asked.
“You scope the system?” Clancy asked me.
“Windows are wired. Probably to a central-station system. I’m guessing no motion sensors—that cat’s got the run of the joint, I’d bet anything on it.”
“She has to have separate quarters.”
“Yeah. Hard to tell from that kitchen, but I think the space to the left from where we sat, that’s the owners’ area. To the right, that would be off toward the back. Hers …?”
“Let me check a few things. I should have what I need by tonight. You got any in-between outfits?”
“I’m not sure what you—”
“This place where we’re going, you don’t want to look homeless. But you don’t want to look like a lawyer, either, understand?”
“Tell me what kind of place it is, I’ll buy some stuff.”
“Good enough. It’s a blues bar, off Rush Street. Not far at all.”
He gave me the address, said he’d be there by ten.
The side door was rusted out, or else some fool had painted it the color of dried blood. Overhead, a little blue light winked from inside a steel-mesh cage.
I stepped inside, found myself in a two-man bracket: one average-looking, the other sumo-sized. The average-looking guy held out his hand, said “Ten.” I forked it over.
The joint was long and narrow, with a small raised stage at the far end. And crammed so full of people the owner must have bribed the Fire Department. More black than white, but more mixed than most blues clubs. Places I’d been, the high-end spots had mostly all-white audiences, and the juke joints were almost all black. Maybe Chicago was different.
Clancy appeared out of the mob. “Come on,” was all he said.
I followed him to a table right near the front but so far to the right that it was almost against the wall. A woman with corn-rowed hair surrounding a hard face was sitting there. When she saw Clancy, she flashed a killer smile, showing off a gold tooth. She stood up, gave Clancy a kiss. He introduced us, calling me Rogers. Her name was Zeffa.
“Son’ll be on in a minute,” she said to us both. “Should have been on already, but the first set ran long.”
We took seats. I was thinking … Son? … but didn’t get my hopes up.
I looked around for the woman in the red dress. There’s always a woman in a red dress in joints like this. I wanted to be sure I wasn’t sitting too close to her.
The drummer suddenly cracked out a back-beat, hammering the talk-buzz into silence. The guy working a stand-up electric bass added a line, the harp man cranked off a few sharp notes, and the rhythm guitarist carried the lead for a minute, building. An unmanned black guitar rested against the front-most microphone stand.
A slim man strode out on the little stage. He was all in black, including a cowboy hat with a heavy silver medallion just over the brim. His coat was so long it was almost a duster. He reached down, picked up the black guitar … and the crowd went berserk.
He smiled gently, a handsome man with strong cheekbones and a beard, bowed his head a few inches in acknowledgment. Most bluesmen open with an up-tempo number, get the crowd into the action. But he started with