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Dead Man's Folly - Agatha Christie [6]

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up by putting a Folly there,” says the silly ass. That’s all they ever think about, these rich city fellows, tidying up! I wonder he hasn’t put beds of red geraniums and calceolarias all round the house! A man like that shouldn’t be allowed to own a place like this!’

He sounded heated.

‘This young man,’ Poirot observed to himself, ‘assuredly does not like Sir George Stubbs.’

‘It’s bedded down in concrete,’ said Weyman. ‘And there’s loose soil underneath – so it’s subsided. Cracked all up here – it will be dangerous soon…Better pull the whole thing down and re-erect it on the top of the bank near the house. That’s my advice, but the obstinate old fool won’t hear of it.’

‘What about the tennis pavilion?’ asked Mrs Oliver.

Gloom settled even more deeply on the young man.

‘He wants a kind of Chinese pagoda,’ he said, with a groan. ‘Dragons if you please! Just because Lady Stubbs fancies herself in Chinese coolie hats. Who’d be an architect? Anyone who wants something decent built hasn’t got the money, and those who have the money want something too utterly goddam awful!’

‘You have my commiserations,’ said Poirot gravely.

‘George Stubbs,’ said the architect scornfully. ‘Who does he think he is? Dug himself into some cushy Admiralty job in the safe depths of Wales during the war – and grows a beard to suggest he saw active naval service on convoy duty – or that’s what they say. Stinking with money – absolutely stinking!’

‘Well, you architects have got to have someone who’s got money to spend, or you’d never have a job,’ Mrs Oliver pointed out reasonably enough. She moved on towards the house and Poirot and the dispirited architect prepared to follow her.

‘These tycoons,’ said the latter bitterly, ‘can’t understand first principles.’ He delivered a final kick to the lopsided Folly. ‘If the foundations are rotten – everything’s rotten.’

‘It is profound what you say there,’ said Poirot. ‘Yes, it is profound.’

The path they were following came out from the trees and the house showed white and beautiful before them in its setting of dark trees rising up behind it.

‘It is of a veritable beauty, yes,’ murmured Poirot.

‘He wants to build a billiard room on,’ said Mr Weyman venomously.

On the bank below them a small elderly lady was busy with sécateurs on a clump of shrubs. She climbed up to greet them, panting slightly.

‘Everything neglected for years,’ she said. ‘And so difficult nowadays to get a man who understands shrubs. This hillside should be a blaze of colour in March and April, but very disappointing this year – all this dead wood ought to have been cut away last autumn –’

‘M. Hercule Poirot, Mrs Folliat,’ said Mrs Oliver.

The elderly lady beamed.

‘So this is the great M. Poirot! It is kind of you to come and help us tomorrow. This clever lady here has thought out a most puzzling problem – it will be such a novelty.’

Poirot was faintly puzzled by the graciousness of the little lady’s manner. She might, he thought, have been his hostess.

He said politely:

‘Mrs Oliver is an old friend of mine. I was delighted to be able to respond to her request. This is indeed a beautiful spot, and what a superb and noble mansion.’

Mrs Folliat nodded in a matter-of-fact manner.

‘Yes. It was built by my husband’s great-grandfather in 1790. There was an Elizabethan house previously. It fell into disrepair and burned down in about 1700. Our family has lived here since 1598.’

Her voice was calm and matter of fact. Poirot looked at her with closer attention. He saw a very small and compact little person, dressed in shabby tweeds. The most noticeable feature about her was her clear china-blue eyes. Her grey hair was closely confined by a hairnet. Though obviously careless of her appearance, she had that indefinable air of being someone which is so hard to explain.

As they walked together towards the house, Poirot said diffidently, ‘It must be hard for you to have strangers living here.’

There was a moment’s pause before Mrs Folliat answered. Her voice was clear and precise and curiously devoid of emotion.

‘So many things

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