Dead water - Barbara Hambly [15]
Small heaps of money lay on the room's single table amid a scattering of cards, and presumably there was a cashbox in the same cache as the so-called “single-malt Scotch.” But these Hannibal ignored as he wrapped his violin in its usual swaddling of faded silk scarves and tucked it into its case.
“If you're getting robbed every night, why do you stay?” January glanced right and left as they emerged from the saloon's rear door, though in the pitch-black night a platoon of club-wielding Kaintucks could have stood within four feet of The Keelboat unseen. Undetected by any other sense as well, for that matter, for the ambient stench of privies would have covered the collective tobacco-reek of the average boatman, and the combined roar of the cicadas and the hollers of the fight still in progress at The Rough and Ready would have masked any sound.
The ground squished under January's boots, and something moved—cat, rat, or gator—in the tangle of hackberry that surrounded the building's rear.
“Old Hunks lets me sleep in one of the cribs.” Hannibal led the way to a sort of long shed that stood behind the saloon, three of its four French doors open into mephitic blackness. The usual inhabitants of the rooms—and their customers—were presumably at the fight as well.
“It's exceedingly generous of him, considering how much he makes per night out of each room. He's from Dublin, and so regards me as a brother. He worked for years as a doorkeeper at the Covent Garden Opera in London. Sometimes after the place closes down for the night, I'll play on for him for hours.”
He opened the door of the fourth crib—none of them had locks—and held January's lantern inside for a moment before entering. Two rats retreated unhurriedly through a crack in the wall. The room was windowless but so rudely put together that in daylight there would have been plenty of light, ventilation, and—to judge by the careful arrangement of old tin pots and broken jars about the floor—almost certainly rain.
“Besides,” the fiddler went on, flicking a roach the size of a small mouse from the candle-holder and angling the candle to the lantern's flame, “I defy you to name an establishment in town this summer where you wouldn't be robbed. Everything respectable has closed down. Even the folks out in Milneburgh aren't holding many cotillions this year.”
January, settling himself on the goods-box that held most of Hannibal's books, had to agree. In former years, summers had been slow times, but every week or so there would be some banker or sugar-broker or town rentier hosting a ball in one of the big hotels by the lake. This year so far they had been few.
“You're lucky that you haven't had to rely on your music this year to butter your bread.” Hannibal produced from another goods-box a small bottle of sherry and a square black one of laudanum. He measured a tiny amount of the one and a tinier dose of the other into a tin cup and drank it down. “In honored poverty thy voice did weave / Songs consecrate to truth and liberty . . .” After a moment's thought he took another fast sip of the laudanum alone, then stoppered both bottles and put them away. “What's happened? And how can I help?”
“I'm glad you asked.” January outlined for him what Hubert Granville had said about the absconding manager of the Bank of Louisiana, and about the need for secrecy that precluded enlisting the City Guards until hard evidence was secured.
“What I need,” said January, “is a master aboard the Silver Moon. A free black man traveling by himself draws comment. A slave is invisible, and I need to be invisible. In some circumstances a slave is safer than a free black man,” he added with a bitterness that had turned to irony over the years. “At least someone's going to complain if a slave disappears. And having a white man along to deal with the local authorities when we do find which trunks contain the money will be a help, too. Granville's paying us five hundred dollars.”
“In Bank of Louisiana notes?”
January laughed curtly. “Dryden says that