Death Instinct - Jed Rubenfeld [89]
The landscape outside the train’s windows had grown increasingly New England. Trees blazed with color. Every bridge over every river, every bend of the coastline, was familiar to him. He had taken the Shore Line into or out of Manhattan too many times.
When the train pulled into New Haven, Younger stepped out on the platform. He smelled the autumn air and dropped into a mailbox a letter for Colette. Under his Boston address, the letter said:
September 24, 1920
I’ll come to Vienna, but only on one condition: that you renounce any intention of seeing Hans Gruber.
—Stratham
The whistle blew, the conductor called out, and Younger returned to his seat.
Littlemore spent the next day—Saturday—tracking down and interviewing occupants of the building where the criminals had stayed. No one had anything of value to tell him. He found the owner of that building, but the landlord was equally unhelpful. He cut through the police ropes and reentered the room where Colette and Luc had been taken. On hands and knees, he went over every inch of the room with his magnifying glass. This too was in vain.
Younger woke up Saturday morning in his old bedroom in his old house in the Back Bay. It wasn’t the house of his parents—the house he’d grown up in—but a townhouse he’d bought after returning to Boston when his marriage broke up in 1911. It was a handsome place, with fine old furniture, high ceilings, and well-proportioned rooms. Leaving the accumulated mail untouched, he went outside.
What he liked about Boston was that it was such a small town. That was also what he didn’t like about it. He walked to the Public Garden, passing rows of townhouses more or less identical to his own, and took a seat on a bench by the lake. It was so placid he could see in it an upside-down double of every swan and paddle boat plying the water. He put a cigarette in his mouth but discovered he had no matches. The fact that he was in Boston with no employment irritated him.
After his divorce, Younger had thrown himself into his scientific work, spending days and nights in a laboratory underneath the Harvard medical school. His field in those days was microscopic infectious agents. He made his scientific name in 1913 by isolating syphilitic spirochetes in the brains of individuals who had died of general paresis, a condition previously believed to be psychiatric in origin. He saw no one. He socialized not at all.
Then something unexpected took place. He had assumed he would be a pariah because of his divorce, which was not proscribed in Boston society, but was not regarded favorably. Instead, his social reputation soared. Whether due to his respectable position at Harvard, or the notoriety attaching to his supposed affair in New York, or, most likely, the inheritance that fell into his lap from his mother’s Schermerhorn relatives, Younger became a prize commodity in both Boston and New York. At first he refused all invitations. But after two years playing the reclusive scientist, he began to go out. To his surprise, he enjoyed it.
He lent his arm to coveted young women at society events. He kissed their fingers and danced with them as if he were courting. But he never was; the society girls bored him. He preferred actresses, and in New York he was infamously seen with them. Over these years, there were only three women he slept with—and even those he could stand only for short stretches of time. A moment arrived when he was simultaneously the most eligible and most hated man in two cities. Even the actresses generally ended up enraged. Every year, he expected society to revolt against him and put him under a ban. But somehow the number of mothers believing that their daughter might be the one to land him only increased. In 1917, at a party in the Waldorf celebrating the coming out of the pretty Miss Denby, the debutante’s charming mother pressed him so assiduously to dance with her daughter that he made a conscious show of partnering with every girl other than Miss Denby. He drank to such excess