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DEATH OF THE LION [11]

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sacrifice.

If she was ready for one it was only waiting for her, and in a moment I mentioned it. "Give up this crude purpose of seeing him! Go away without it. That will be far better."

She looked mystified, then turned visibly pale. "Why, hasn't he any personal charm?" The girl was terrible and laughable in her bright directness.

"Ah that dreadful word 'personally'!" I wailed; "we're dying of it, for you women bring it out with murderous effect. When you meet with a genius as fine as this idol of ours let him off the dreary duty of being a personality as well. Know him only by what's best in him and spare him for the same sweet sake."

My young lady continued to look at me in confusion and mistrust, and the result of her reflexion on what I had just said was to make her suddenly break out: "Look here, sir - what's the matter with him?"

"The matter with him is that if he doesn't look out people will eat a great hole in his life."

She turned it over. "He hasn't any disfigurement?"

"Nothing to speak of!"

"Do you mean that social engagements interfere with his occupations?"

"That but feebly expresses it."

"So that he can't give himself up to his beautiful imagination?"

"He's beset, badgered, bothered - he's pulled to pieces on the pretext of being applauded. People expect him to give them his time, his golden time, who wouldn't themselves give five shillings for one of his books."

"Five? I'd give five thousand!"

"Give your sympathy - give your forbearance. Two-thirds of those who approach him only do it to advertise themselves."

"Why it's too bad!" the girl exclaimed with the face of an angel. "It's the first time I was ever called crude!" she laughed.

I followed up my advantage. "There's a lady with him now who's a terrible complication, and who yet hasn't read, I'm sure, ten pages he ever wrote."

My visitor's wide eyes grew tenderer. "Then how does she talk - ?"

"Without ceasing. I only mention her as a single case. Do you want to know how to show a superlative consideration? Simply avoid him."

"Avoid him?" she despairingly breathed.

"Don't force him to have to take account of you; admire him in silence, cultivate him at a distance and secretly appropriate his message. Do you want to know," I continued, warming to my idea, "how to perform an act of homage really sublime?" Then as she hung on my words: "Succeed in never seeing him at all!"

"Never at all?" - she suppressed a shriek for it.

"The more you get into his writings the less you'll want to, and you'll be immensely sustained by the thought of the good you're doing him."

She looked at me without resentment or spite, and at the truth I had put before her with candour, credulity, pity. I was afterwards happy to remember that she must have gathered from my face the liveliness of my interest in herself. "I think I see what you mean."

"Oh I express it badly, but I should be delighted if you'd let me come to see you - to explain it better."

She made no response to this, and her thoughtful eyes fell on the big album, on which she presently laid her hands as if to take it away. "I did use to say out West that they might write a little less for autographs - to all the great poets, you know - and study the thoughts and style a little more."

"What do they care for the thoughts and style? They didn't even understand you. I'm not sure," I added, "that I do myself, and I dare say that you by no means make me out."

She had got up to go, and though I wanted her to succeed in not seeing Neil Paraday I wanted her also, inconsequently, to remain in the house. I was at any rate far from desiring to hustle her off. As Mrs. Weeks Wimbush, upstairs, was still saving our friend in her own way, I asked my young lady to let me briefly relate, in illustration of my point, the little incident of my having gone down into the country for a profane purpose and been converted on the spot to holiness. Sinking again into her chair to listen she showed
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