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Deep Black - Andy McNab [123]

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what the fuck they thought I was talking about, but I didn’t want to risk any sudden movements to help make things clearer.

Jerry’s pistol and mags were taken off him, along with his bumbag. My hands were pulled down by my sides and the guy who’d done it seemed to be telling me to relax. They were now containing, not controlling.

There were four of them. They were all much older than Salkic, more Nasir’s vintage. They were old enough to have been through the war, and it showed. A couple had scars on their faces, and the sort of look in their eyes that said they’d seen and done things they didn’t need to talk about. I wondered if any had fingers missing.

Their weapons were clearly well oiled and maintained; some AKs and a number of Heckler & Koch G3s, a 7.62mm assault rifle with a twenty-round mag.

One of them – who seemed to be calling the shots – had big curly hair that fell way past his shoulders from under his Russian fur hat. A Motorola crackled somewhere in his thick sheepskin glove. There was some quick-time gobbing off, with ‘Ramzi’ and ‘Nick Stone’ making regular appearances. Eventually he passed it over to me, and pointed at the pressle.

‘Hello? Are you Nick Stone?’ The voice was male, educated, authoritative.

I hit the pressle. ‘Yes. I’ve got someone else with me, Jeral al-Hadi. The photographer.’ I thought it sounded a bit better having a Muslim in tow.

‘Where is Ramzi?’

Didn’t they know what had happened?

‘He’s alive. So is Benzil. They’re back in the city.’

I rattled through what had happened at the cave.

‘Wait one minute, please wait.’

I hoped it wouldn’t be much more than that. I was freezing.

I gave the radio back to the glove and just stood there, the cold biting into every inch of me. It was like being back in the sheep hollow. I stamped my feet together and so did Jerry. Whoever was on the end of the Motorola gobbed off at one of the crew, who disappeared as the long-haired one offered us both a cigarette. I’d never smoked in my life, but I was almost tempted, just so I could cup my hands round a match.

Two green German parkas were produced and neither of us needed to be told twice to get them on, hoods up. These boys knew what it was like to be wet, cold and hungry, and only wanted that for their enemies. They’d be taking them back before first light, then.

We stood there for another ten minutes or so before the Motorola sparked up again, then we were herded into the back of the VW, alongside the spare diesel. I’d been right, it was much warmer. The long-haired one got behind the wheel and manoeuvred us through the chicane.

The track went straight for a while, then bent to the right and led towards a dirty white wall, about three metres high. Set into it was an archway, blocked by a pair of heavy wooden coach doors that were opening inwards as we approached.

92

The van bounced to a halt. The long-haired one jumped out and slid open the side door. Light flickered on the other side of the archway and a small man in a long black coat, fur hat and sheepskin boots appeared, an oil lamp clutched in his hand. It was Nuhanovic. Although his face was mostly obscured by his collar and hat, I could see he’d binned the beard. It didn’t seem to make much difference: he still came across like somebody’s favourite uncle.

‘Please come in.’

His eyes were bright and piercingly intelligent. The corners of his mouth were lifted in a half-smile, but I wasn’t sure whether it was aimed at me and Jerry or his long-haired mate, who shepherded us in, then turned the VW back down towards the checkpoint.

We followed Nuhanovic through into a cobbled courtyard. He only came up to my chin, but there was no doubt who was in charge here.

‘I have dry clothes for you, and hot water. Once you are comfortable, we will eat and talk.’ He spoke slowly, in heavily accented but perfect English, and chose each word with a lot of care.

Directly in front of us was a long, one-storey building with a veranda that ran its whole length. The place was in darkness.

He led us to the left, along the line of the wall, to where

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