Delirium - Lauren Oliver [61]
Thomas broke her heart, of course, to nobody’s surprise. The Book of Shhh says: “Amor deliria nervosa produces shifts in the prefrontal cortex of the brain, which result in fantasies and delusions that, once revealed, lead in turn to psychic devastation” (See “Effects,” p. 36). Then my sister did nothing but lie in bed and watch the shadows shift slowly across the walls, her ribs rising up under her pale skin like wood rising through water.
Even then she refused the procedure and the comfort it would give her, and on the day the cure was to be administered it took four scientists and several needles full of tranquilizer before she would submit, before she would stop scratching with her long, sharp nails, which had gone uncut for weeks, and screaming and cursing and calling for Thomas. I watched them come for her, to bring her to the labs; I sat in a corner, terrified, while she spit and hissed and kicked, and I thought of my mom and dad.
That afternoon, though I was still more then a decade away from safety, I began to count the months until my procedure.
In the end my sister was cured. She came back to me gentle and content, her nails spotless and round, her hair pulled back in a long, thick braid. Several months later she was pledged to an IT tech, roughly her age, and several weeks after she graduated from college they married, their hands linked loosely under the canopy, both of them staring straight ahead as though at a future of days unmarred by worry or discontent or disagreement, a future of identical days, like a series of neatly blown bubbles.
Thomas was cured too. He was married to Ella, once my sister’s best friend, and now everybody is happy. Rachel told me a few months ago that the two couples often see each other at picnics and neighborhood events, since they live fairly close to each other in the East End. The four of them sit, making polite and quiet conversation, with not a sole flicker of the past to disturb the stillness and completeness of the present.
That’s the beauty of the cure. No one mentions those lost, hot days in the field, when Thomas kissed Rachel’s tears away and invented worlds just so he could promise them to her, when she tore the skin off her own arms at the thought of living without him. I’m sure she’s embarrassed by those days, if she remembers them at all. True, I don’t see her that often now—just once every couple of months, when she remembers she is supposed to stop by—and in that way I guess you could say that even with the procedure I lost a little bit of her. But that’s not the point. The point is that she’s protected. The point is that she’s safe.
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of.
But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone.
Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing—is run.
In the days that follow Alex’s confession, I check constantly for symptoms of the disease. When I’m manning the register at my uncle’s store I lean forward on my elbow, keep my hand resting on my cheek so I can crook my fingers back toward my neck and count my pulse, make sure it’s normal. In the mornings I take long, slow breaths, listening for rasping or hitches in my lungs. I wash my hands constantly. I know the deliria isn’t like a cold—you can’t get it from being sneezed