Delirium - Lauren Oliver [81]
This is wrong, a voice says inside of me, but it isn’t my voice. It’s someone else’s—some composite of my aunt, and Rachel, and all my teachers, and the pinchy evaluator who asked most of the questions the second time around.
Out loud I squeak, “No,” even though another word is rising and lifting inside of me, bubbling up like fresh water sprung from the earth. Yes, yes, yes.
“Why?” He’s barely whispering. His hands find my face, his fingertips barely skim my forehead, the top of my ears, the hollows of my cheeks. Everywhere he touches is fire. My whole body is burning up, the two of us becoming twin points of the same bright white flame. “What are you afraid of?”
“You have to understand. I just want to be happy.” I can barely get the words out. My mind is a haze, full of smoke—nothing exists but his fingers dancing and skating over my skin, through my hair. I wish it would stop. I want it to go on forever. “I just want to be normal, like everybody else.”
“Are you sure that being like everybody else will make you happy?” The barest whisper; his breath on my ear and neck, his mouth grazing my skin. And I think then I might really have died. Maybe the dog bit me and I got clubbed on the head and this is all just a dream—the rest of the world has dissolved. Only him. Only me. Only us.
“I don’t know any other way.” I can’t feel my mouth open, don’t feel the words come, but there they are, floating on the dark.
He says, “Let me show you.”
And then we’re kissing. Or at least, I think we’re kissing—I’ve only seen it done a couple of times, quick closed-mouth pecks at weddings or on formal occasions. But this isn’t like anything I’ve ever seen, or imagined, or even dreamed: This is like music or dancing but better than both. His mouth is slightly open so I open mine, too. His lips are soft, the same soft pressure as the quietly insistent voice in my head that keeps saying yes.
The warmth is only growing inside of me, waves of light swelling and breaking and making me feel like I’m floating. His fingers lace my hair, cup my neck and the back of my head, skim over my shoulders, and without thinking about it or meaning to, my hands find his chest, move over the heat of his skin, the bones of his shoulder blades like wing tips, the curve of his jaw, just stubbled with hair—all of it strange and unfamiliar and gloriously, deliciously new. My heart is drumming in my chest so hard it aches, but it’s the good kind of ache, like the feeling you get on the first day of real autumn, when the air is crisp and the leaves are all flaring at the edges and the wind smells just vaguely of smoke—like the end and the beginning of something all at once. Under my hand I swear I can feel his heart beating out a response, an immediate echo of mine, as though our bodies are speaking to each other.
And suddenly it’s all so ridiculously and stupidly clear I feel like laughing. This is what I want. This is the only thing I’ve ever wanted. Everything else—every single second of every single day that has come before this very moment, this kiss—has meant nothing.
When he finally pulls away it’s like a blanket has come down over my brain, quieting all my buzzing thoughts and questions, filling me with a calm and happiness as deep and cool as snow. The only word left there is yes. Yes to everything.
I really like you, Lena. Do you believe me now?
Yes.
Can I walk you home?
Yes.
Can I see you tomorrow?
Yes, yes, yes.
The streets are empty by now. The whole city is silent and still. The whole city might have wound down into nothing, burned away while we were in the shed, and I wouldn’t have noticed or cared. The walk home is fuzzy, a dream. He holds my hand the whole way and we stop to kiss twice again in the longest, deepest shadows we can find. Both times I wish the shadows were solid, had weight, and they would fold down around us and bury us there so we could stay like that forever, chest to chest, lip to lip. Both times I feel my chest seize up when he pulls away and takes my hand and we have to start walking again, not kissing,