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Deliverance - James Dickey [64]

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as I edged to the left. This was unexpected and exhilarating. The stone came back at me strong. I got on the rock with my knees instead of my toes and fingertips, and had a new body position. With it, I wormed. I went to the left and then to the right, and the river-pit blazed. It was slow going, for the handholds were not good, and the broadheads gored me under the arms a good deal, but there was a trembling and near-perfect balance between gravity -- or my version of it -- and the slant of the stone: I was at the place where staying on the wall and falling canceled each other out in my body, yet were slightly in favor of my staying where I was, and edging up. Time after time I lay there sweating, having no handhold or foothold, the rubber of my toes bending back against the soft rock, my hands open. Then I would begin to try to inch upward again, moving with the most intimate motions of my body, motions I had never dared use with Martha, or with any other human woman. Fear and a kind of enormous moonblazing sexuality lifted me, millimeter by millimeter. And yet I held madly to the human. I looked for a slice of gold like the model's in the river: some kind of freckle, something lovable, in the huge serpent-shape of light. Above me the darks changed, and in one of them was a star. On both sides of that small light the rocks went on up, black and solid as ever, but their power was broken. The high, deadly part of the cliff I was on bent and rocked steadily over toward life, and toward the hole with the star in it, where, as I went, more stars were added until a constellation like a crown began to form. I was now able to travel on knees -- my knees after all -- the bow scraping the ground beside me. I was crying. What reason? There was not any, for I was really not ashamed or terrified; I was just there. But I lay down against the cliff to get my eyesight cleared. I turned and propped on my elbow like a tourist, and looked at it again. Lord, Lord. The river hazed and danced into the sparkle of my eyelashes, the more wonderful for being unbearable. This was something; it was something. But eventually you have to turn back to your knees, and on cliffs they carry you better than any other part of the body, on cliffs of a certain slant; I got on my knees. It was painful, but I was going. I was crawling, but it was no longer necessary to make love to the cliff, to fuck it for an extra inch or two in the moonlight, for I had some space between me and it. If I was discreet, I could offer it a kick or two, even, and get away with it. My feet slanted painfully in one direction or another. Guided by what kind of guesswork I could not say, I kept scrambling and stumbling upward like a creature born on the cliff and coming home. Often a hand or foot would slide and, then catch on something I knew, without knowing, would be there, and I would go on up. There was nothing it could do against me, in the end; there was nothing it could do that I could not match, and, in the twinkling of some kind of eye-beat. I was going. By some such way as this, I got into a little canyon. Yes, and I stood up. I could not see much, but it felt like the little draw where I had hunted the deer in the fog. The bottom underfoot -- under foot -- was full of loose rocks and boulders, but I was walking it. At each shoulder, the walls were wanting to come down, but they did not. Instead, they started to fill with bushes and small, ghostly, dense trees. These were solid, and I came up to them, little by little. Then their limbs were above me. I was out. I picked up the bow, out of the crook of my arm. Everything was with me; the knife at my side said what it was. And there was rope, for nothing, or for something. And I looked out, on the mindlessness and the beauty. Upriver, I could see only the ragged, blinding V of the rapids that had thrown us, and there was nothing to look at there, except only the continual, almost-silent pouring of the water, through and through. I faced around and for what I judged an equal amount of time looked into the woods. I went back
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