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Deliverance - James Dickey [70]

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not move. He seemed puzzled. He kept looking back from the river down at his feet, at the ground there, half sand and half rock, and every time his head inclined and his hidden face bent down he looked at a place farther from the river and nearer to where I was. I closed my eyes, took a slow three-quarter breath, held it and leveled the bow inch by inch. When it was approximately in the position I wanted, I went to my muscles and drew. My back spread broader, drawing strength from the tree. The broadhead came back to the bow face along the arrow rest, the unborn calf. It chattered there with the unnatural tension of my body and a sound that was a sound only to the nerves in the palm of my left hand. I pulled the barb of the arrow firmly against the bow, and began checking things in the bow and the arrow and in my hands and arms and body, like a countdown. He was just out of the frame of thread on the string; my peep sight. I had only to move the bow slightly for him to come into the peep sight and the right-left problem, except possibly for the release, was solved. Martha's orange and the target were now threaded and framed. That left only elevation, always the main problem when shooting downward, and the release. The tip of the arrow appeared, in my secondary vision as I looked at him, to be about six inches under his feet, and I brought it down another inch or so until, as I judged, it looked to me as though I were trying to shoot him through the stomach; looking through the string down the shaft and out the cave of needles, I could see the arrow as being in a plane extending through the middle of him. We were closed together, and the feeling of a peculiar kind of intimacy increased, for he was shut within a frame within a frame, all of my making: the peep sight and the alleyway of needles, and I knew then that I had him, if my right hand just relaxed and let the arrow tear itself away, and if my left arm did not move, but just took up the shock of the vibrating bow. Everything was right; it could not have been better. My anchor was good and firm, and the broadhead seemed almost rock-steady. I was full of the transfiguring power of full draw, the draw-hysteria that is the ruination of some archers and the making of others, who can conquer it and make it work for them. I was down to my last two points, and he was still right there, stooping a little but now facing me just a shade more than he had been. Then he moved, slightly but quickly, and I fought to hold on to the arrow. He stirred the ground once with his foot, and I saw his face -- saw that he had a face -- for the first time. The whole careful structure of my shot began to come apart, and I struggled in my muscles and guts and heart to hold it together. His eyes were moving over the sand and rock, faster and faster. They were coming. When they began to rise from the ground they triggered my release. I never saw the arrow in the air, and I don't believe he did either, though he surely must have heard the bow twang. I had been at full draw so long that even in the instant of release I believed that I would no more have been able to move my left arm than a statue would. I was afraid that my concentration had blown apart under the recognition that he knew where I was, and some of it had; but not all. The shot had been lined up correctly; if the left arm had held, he was hit. What happened next I was not sure about, and still am not. The tree thrummed like an ax had struck it, and the woods, so long quiet around me, were full of unbelievable sound. The next thing I knew there was no tree with me anymore, nor any bow. A limb caught my leg and tried to tear it off me, and I was going down the trunk backwards and upside down with many things touching and hitting upward at me with live weight, like anus. To this day I will contend that I spent part of the fall checking the fingers of my right hand to see if they were relaxed, had been relaxed when the shot went, and they were. I tried also to turn in the air so as not to strike on the back of my head, and was beginning to
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