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Delta of Venus - Anais Nin [24]

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do, because I do not want to hurt his feelings. He got in beside me and began to take me very slowly and lingeringly. Usually it is all over quickly, which makes it possible to bear. I do not even let him kiss me if I can help it. I hate his mouth on mine. I usually turn my face away, which is what I did last night. Well, there he was, and what do you think I did? I suddenly began to strike him with my closed fists, on the shoulder, while he was enjoying himself, to dig my nails into him, and he took it as a sign that I was enjoying it, growing rather wild with pleasure, and he went on. Then I whispered as low as I could, “I hate you.” And then I asked myself if he had heard me. What would he think? Was he hurt? As he was himself partly asleep, he merely kissed me good night when it was over and went back to his bed. The next morning I was waiting for what he would say. I still thought perhaps he had heard me say, “I hate you.” But no, I must have formed the words without saying them. And all he said was, “You got quite wild last night, you know,” and smiled, as if it pleased him.’

Brown started the phonograph and we began to dance. The little alcohol I had taken had gone to my head. I felt a dilation of the whole universe. Everything seemed very smooth and simple. Everything, in fact, ran downward like a snowy hill on which I could slide without effort. I felt a great friendliness, as if I knew all these people intimately. But I chose the most timid of the painters to dance with. I felt that he was pretending somewhat, as I was, to be very familiar with all of this. I felt that deep down he was a little uneasy. The other painters were caressing Ethel and Mollie as they danced. This one did not dare. I was laughing to myself at having discovered him. Brown saw that my painter was not making any advances, and he cut in for a dance. He was making sly remarks about virgins. I wondered whether he was alluding to me. How could he know? He pressed against me, and I drew away from him. I went back to the timid young painter. A woman illustrator was flirting with him, teasing him. He was equally glad that I came back to him. So we danced together, retreating into our own timidity. All around us people were kissing now, embracing.

The woman illustrator had thrown off her blouse and was dancing in her slip. The timid painter said, ‘If we stay here we will soon have to lie on the floor and make love. Do you want to leave?’

‘Yes, I want to leave,’ I said.

We went out. Instead of making love, he was talking, talking. I was listening to him in a daze. He had a plan for a picture of me. He wanted to paint me as an undersea woman, nebulous, transparent, green, watery except for the very red mouth and the very red flower I was wearing in my hair. Would I pose for him? I did not respond very quickly because of the effects of the liquor, and he said apologetically, ‘Are you sorry that I was not brutal?’

‘No, I’m not sorry. I chose you myself because I knew you would not be.’

‘It’s my first party,’ he said humbly, ‘and you’re not the kind of woman one can treat – that way. How did you ever become a model? What did you do before this? A model does not have to be a prostitute, I know, but she has to bear a lot of handling and attempts.’

‘I manage quite well,’ I said, not enjoying this conversation at all.

‘I will be worrying about you. I know some artists are objective while they work, I know all that. I feel that way myself. But there is always a moment before and after, when the model is undressing and dressing, that does disturb me. It’s the first surprise of seeing the body. What did you feel the first time?’

‘Nothing at all. I felt as if I were a painting already. Or a statue. I looked down at my own body like some object, some impersonal object.’

I was growing sad, sad with restlessness and hunger. I felt that nothing would happen to me. I felt desperate with desire to be a woman, to plunge into living. Why was I enslaved by this need of being in love first? Where would my life begin? I would enter each studio expecting a miracle

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