Delta of Venus - Anais Nin [64]
Then Elena thought, I am lost. She did not believe Pierre’s story that Bijou repulsed him now. She began to frequent the café where Bijou and Pierre had met, hoping for a discovery that would end her doubts. She discovered nothing, except that Bijou liked very young men, fresh-faced, fresh-lipped, fresh-blooded. That calmed her a little.
While Elena sought to meet Bijou and unmask the enemy, Leila was seeking to meet Elena, with ruses.
And the three women met, driven inside of the same café on a day of heavy rain: Leila, perfumed and dashing, carrying her head high, a silver fox stole undulating around her shoulders over her trim black suit; Elena, in a wine-colored velvet; and Bijou, in her streetwalker’s costume, which she could never abandon, the tight-fitting black dress and high-heeled shoes. Leila smiled at Bijou, then recognized Elena. Shivering, the three sat down before aperitifs. What Elena had not expected was to be completely intoxicated with Bijou’s voluptuous charm. On her right sat Leila, incisive, brilliant, and on her left, Bijou, like a bed of sensuality Elena wanted to fall into.
Leila observed her and suffered. Then she set about courting Bijou, which she could do so much better than Elena. Bijou had never known women like Leila, only the women who worked with her, who, when the men were not there, indulged with Bijou in orgies of kisses, to compensate for the brutality of the men -sitting and kissing themselves into a hypnotic state, that was all.
She was susceptible to Leila’s subtle flattery, but at the same time she was spellbound with Elena. Elena was a complete novelty for her. Elena represented to men a type of woman who was the opposite of the whore, a woman who poetized and dramatized love, mixed it with emotion, a woman who seemed made of another substance, a woman one imagined created by a legend. Yes, Bijou knew men well enough to know this was also a woman they were incited to initiate to sensuality, whom they enjoyed seeing become enslaved by sensuality. The more legendary the woman, the greater the pleasure in desecrating, eroticizing her. Deep down, she was, under all the dreaminess, another courtesan, living also for the pleasure of man.
Bijou, who was the whore of whores, would have liked to exchange places with Elena. Whores always envy women who have the faculty of arousing desire and illusion as well as hunger. Bijou, the sex organ walking undisguised, would have liked to have the appearance of Elena. And Elena was thinking how she would have liked to change places with Bijou, for the many times when men grew tired of courting and wanted sex without it, bestial and direct. Elena pined to be raped anew each day, without regard for her feelings; Bijou pined to be idealized. Leila alone was satisfied to be born free of man’s tyranny, to be free of man. But she did not realize that imitating man was not being free of him.
She paid her court suavely, flatteringly, to the whore of whores. As none of the three women abdicated, they finally walked out together. Leila invited Elena and Bijou to her apartment.
When they arrived, it was scented with burning incense. The only light came from illuminated glass globes filled with water and iridescent fish, corals and glass sea horses. This gave the room an undersea aspect, the appearance of a dream, a place where three diversely beautiful women exhaled such sensual auras that a man would have been overcome.
Bijou was afraid to move. Everything looked so fragile to her. She sat cross-legged like an Arab woman, smoking. Elena seemed to radiate light like the glass globes. Her eyes shone brilliant and feverish in the semidarkness. Leila emitted a mysterious charm for both women, an atmosphere of the unknown.
The three of them sat on the very low couch, on a heaving sea of pillows. The first one to move was Leila, who slid her jeweled hand under Bijou’s skirts and gasped slightly with surprise at the unexpected touch of