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Delta of Venus - Anais Nin [66]

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mouth to Leila’s breast, to burning nipples that were seeking to be caressed.

Elena was now also in the frenzy before orgasm. She felt a hand under her, a hand she could rub against. She wanted to throw herself on this hand until it made her come, but she also wanted to prolong her pleasure. And she ceased moving. The hand pursued her. She stood up, and the hand again traveled toward her sex. Then she felt Bijou standing against her back, panting. She felt the pointed breasts, the brushing of Bijou’s sexual hair against her buttocks. Bijou rubbed against her, and then slid up and down, slowly, knowing the friction would force Elena to turn so as to feel this on her breasts, sex and belly. Hands, hands everywhere at once. Leila’s pointed nails buried in the softest part of Elena’s shoulder, between her breast and underarm, hurting, a delicious pain, the tigress taking hold of her, mangling her. Elena’s body so burning hot that she feared one more touch would set off the explosion. Leila sensed this, and they separated.

All three of them fell on the couch. They ceased touching and looked at each other, admiring their disorder, and seeing the moisture glistening along their beautiful legs.

But they could not keep their hands away from each other, and now Elena and Leila together attacked Bijou, intent on drawing from her the ultimate sensation. Bijou was surrounded, enveloped, covered, licked, kissed, bitten, rolled again on the fur rug, tormented with a million hands and tongues. She was begging now to be satisfied, spread her legs, sought to satisfy herself by friction against the others’ bodies. They would not let her. With tongues and fingers they pried into her, back and front, sometimes stopping to touch each other’s tongue – Elena and Leila, mouth to mouth, tongues curled together, over Bijou’s spread legs. Bijou raised herself to receive a kiss that would end her suspense. Elena and Leila, forgetting her, concentrated all their feelings in their tongues, flicking at each other. Bijou, impatient, madly aroused, began to stroke herself, then Leila and Elena pushed her hand away and fell upon her. Bijou’s orgasm came like an exquisite torment. At each spasm she moved as if she were being stabbed. She almost cried to have it end.

Over her prone body, Elena and Leila took up their tongue-kissing again, hands drunkenly searching each other, penetrating everywhere, until Elena cried out. Leila’s fingers had found her rhythm, and Elena clung to her, waiting for the pleasure to burst, while her own hands sought to give Leila the same pleasure. They tried to come in unison, but Elena came first, falling in a heap, detached from Leila’s hand, struck down by the violence of her orgasm. Leila fell beside her, offering her sex to Elena’s mouth. As Elena’s pleasure grew fainter, rolling away, dying off, she gave Leila her tongue, flicking in the sex’s mouth until Leila contracted and moaned. She bit into Leila’s tender flesh. In the paroxysm of her pleasure, Leila did not feel the teeth buried there.

Elena now understood why some Spanish husbands refused to initiate their wives to all the possibilities of lovemaking – to avoid the risk of awakening in them an insatiable passion. Instead of being contented, calmed by Pierre’s love, she had become more vulnerable. The more she desired Pierre, the greater her hunger for other loves. It seemed to her that she had little interest in the rooting of love, in its fixity. She wanted only the moment of passion from everyone.

She did not even want to see Leila again. She wanted to see the sculptor Jean because he was now in that state of fire that she loved. She wanted to be burnt. She thought to herself: I talk almost like a saint, to burn for love – for no mystic love, but for a ravaging sensual meeting. Pierre has awakened in me a woman I did not know, an insatiable woman.

Almost as if she had willed her desire to accomplish itself, she found Jean waiting at the door. He was, as usual, carrying some little offering in a package, which he held awkwardly. The way his body moved, the

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