Design of Everyday Things [55]
How well do the new switch arrangements work? Quite well, I am happy to report. One laboratory user sent me the following note: 4.7 The vertical array of six switches at the right is what our architects provided to control the lights in our odd-shaped living room. We could never remember which switch did what.
The photograph below shows our solution: switches arranged to match the room layout. (One more switch, for a projection screen, will be mounted on the vertical plate just above the light switches. The switch panel was constructed for the author by David Wargo.)
4.8 The original layout of switches in my laboratory had the light switches scattered. We put all the switches in one convenient location, arranged on a floor plan of the laboratory. (The switch panel was constructed by David Wargo.)
“You know, I actually kind of like those new switches now—they seen easy to use, and it’s nice to have all the switches in one location seem easy to use, and it’s nice to have all the switches in one location when you first walk in. You can just sort of swipe at them on your way past and light up the area you want—very quick. So while I was worried they wouldn’t be advantageous for the experienced user, I was wrong.”
Can the new switches be used everywhere? Probably not. But there is no reason they couldn’t be widely adopted. There are a series of technical problems still to be addressed: builders and electricians need standardized components. How about making up standard light switch boxes, made to be mounted on the wall (instead of in the wall as they are today), where the switches are mounted on the top of the box, on the horizontal surface. And on the top, make up a matrix of supports so that there can be free, relatively unrestricted placement of the switches in whatever pattern best suits the room. Use smaller switches if necessary. Maybe get rid of those standardized light plates. The matrix design would require drilling holes differently for each room, but if the switches were designed to fit into standard sized circular or rectangular holes, the holes could be drilled or punched quite easily.
My suggestion requires that the switch box stick out from the wall, whereas today’s boxes are mounted so that the switches are flush with the wall. Some might consider my solution ugly. Well, then, indent the boxes, placing them in the wall. After all, if there is room inside the wall for the existing switch boxes, there is also room for an indented horizontal surface. Or mount the switches on a little pedestal, or on a ledge.
Visibility and Feedback
So far we have concentrated upon constraints and mappings. But for knowing what to do there are other relevant principles, too, especially visibility and feedback:1. Visibility. Make relevant parts visible.
2. Feedback. Give each action an immediate and obvious effect.
When we use a novel object, a number of questions guide our actions:• Which parts move; which are fixed?
• Where should the object be grasped? What part is to be manipulated? What is to be held? Where is the hand to be inserted? If it is speech sensitive, where does one talk?
• What kind of movement is possible: pushing, pulling, turning, rotating, touching, stroking?
• What are the relevant physical characteristics