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Dialogues of Plato - MobileReference [1003]

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partaking of the nature of the same and of the other, and this compound he placed accordingly in a mean between the indivisible, and the divisible and material. He took the three elements of the same, the other, and the essence, and mingled them into one form, compressing by force the reluctant and unsociable nature of the other into the same. When he had mingled them with the essence and out of three made one, he again divided this whole into as many portions as was fitting, each portion being a compound of the same, the other, and the essence. And he proceeded to divide after this manner:--First of all, he took away one part of the whole (1), and then he separated a second part which was double the first (2), and then he took away a third part which was half as much again as the second and three times as much as the first (3), and then he took a fourth part which was twice as much as the second (4), and a fifth part which was three times the third (9), and a sixth part which was eight times the first (8), and a seventh part which was twenty-seven times the first (27). After this he filled up the double intervals (i.e. between 1, 2, 4, 8) and the triple (i.e. between 1, 3, 9, 27) cutting off yet other portions from the mixture and placing them in the intervals, so that in each interval there were two kinds of means, the one exceeding and exceeded by equal parts of its extremes (as for example 1, 4/3, 2, in which the mean 4/3 is one-third of 1 more than 1, and one-third of 2 less than 2), the other being that kind of mean which exceeds and is exceeded by an equal number (e.g.

- over 1, 4/3, 3/2, - over 2, 8/3, 3, - over 4, 16/3, 6, - over 8: and - over 1, 3/2, 2, - over 3, 9/2, 6, - over 9, 27/2, 18, - over 27.).

Where there were intervals of 3/2 and of 4/3 and of 9/8, made by the connecting terms in the former intervals, he filled up all the intervals of 4/3 with the interval of 9/8, leaving a fraction over; and the interval which this fraction expressed was in the ratio of 256 to 243 (e.g.

243:256::81/64:4/3::243/128:2::81/32:8/3::243/64:4::81/16:16/3::242/32:8.).

And thus the whole mixture out of which he cut these portions was all exhausted by him. This entire compound he divided lengthways into two parts, which he joined to one another at the centre like the letter X, and bent them into a circular form, connecting them with themselves and each other at the point opposite to their original meeting-point; and, comprehending them in a uniform revolution upon the same axis, he made the one the outer and the other the inner circle. Now the motion of the outer circle he called the motion of the same, and the motion of the inner circle the motion of the other or diverse. The motion of the same he carried round by the side (i.e. of the rectangular figure supposed to be inscribed in the circle of the Same) to the right, and the motion of the diverse diagonally (i.e. across the rectangular figure from corner to corner) to the left. And he gave dominion to the motion of the same and like, for that he left single and undivided; but the inner motion he divided in six places and made seven unequal circles having their intervals in ratios of two and three, three of each, and bade the orbits proceed in a direction opposite to one another; and three (Sun, Mercury, Venus) he made to move with equal swiftness, and the remaining four (Moon, Saturn, Mars, Jupiter) to move with unequal swiftness to the three and to one another, but in due proportion.

Now when the Creator had framed the soul according to his will, he formed within her the corporeal universe, and brought the two together, and united them centre to centre. The soul, interfused everywhere from the centre to the circumference of heaven, of which also she is the external envelopment, herself turning in herself, began a divine beginning of never-ceasing and rational life enduring throughout all time. The body of heaven is visible, but the soul is invisible, and partakes of reason and harmony, and being made by the best of intellectual and everlasting natures, is the best of

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