Dialogues of Plato - MobileReference [682]
(d) Plato, labouring under what, to modern readers, appears to have been a confusion of ideas, assimilates the state to the individual, and fails to distinguish Ethics from Politics. He thinks that to be most of a state which is most like one man, and in which the citizens have the greatest uniformity of character. He does not see that the analogy is partly fallacious, and that the will or character of a state or nation is really the balance or rather the surplus of individual wills, which are limited by the condition of having to act in common. The movement of a body of men can never have the pliancy or facility of a single man; the freedom of the individual, which is always limited, becomes still more straitened when transferred to a nation. The powers of action and feeling are necessarily weaker and more balanced when they are diffused through a community; whence arises the often discussed question, 'Can a nation, like an individual, have a conscience?' We hesitate to say that the characters of nations are nothing more than the sum of the characters of the individuals who compose them; because there may be tendencies in individuals which react upon one another. A whole nation may be wiser than any one man in it; or may be animated by some common opinion or feeling which could not equally have affected the mind of a single person, or may have been inspired by a leader of genius to perform acts more than human. Plato does not appear to have analysed the complications which arise out of the collective action of mankind. Neither is he capable of seeing that analogies, though specious as arguments, may often have no foundation in fact, or of distinguishing between what is intelligible or vividly present to the mind, and what is true. In this respect he is far below Aristotle, who is comparatively seldom imposed upon by false analogies. He cannot disentangle the arts from the virtues--at least he is always arguing from one to the other. His notion of music is transferred from harmony of sounds to harmony of life: in this he is assisted by the ambiguities of language as well as by the prevalence of Pythagorean notions. And having once assimilated the state to the individual, he imagines that he will find the succession of states paralleled in the lives of individuals.
Still, through this fallacious medium, a real enlargement of ideas is attained. When the virtues as yet presented no distinct conception to the mind, a great advance was made by the comparison of them with the arts; for virtue is partly art, and has an outward form as well as an inward principle. The harmony of music affords a lively image of the harmonies of the world and of human life, and may be regarded as a splendid illustration which was naturally mistaken for a real analogy. In the same way the identification of ethics with politics has a tendency to give definiteness to ethics, and also to elevate and ennoble men's notions of the aims of government and of the duties of citizens; for ethics from one point of view may be conceived as an idealized law and politics; and politics, as ethics reduced to the conditions of human society. There have been evils which have arisen out of the attempt to identify them, and this has led to the separation or antagonism of them, which