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Diaries 1969-1979_ The Python Years - Michael Palin [90]

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us where and if he thought Mark would fit in. In the end we agreed to ask Mark along first, just to give him a hearing – but even then I was made to feel I had wrung a major concession from John.

Wednesday, October 31st


John Gledhill rang this evening. The clash comes nearer. I told him we were meeting Mark tomorrow. He was taken aback, but recovered. ‘He’s no negotiator, anyway,’ says John. Finally he says, of course, whatever Mark’s function, he, Gledhill, will do all the deals. I ring Mark later. Mark wants to do all the deals because he says that Gledhill is very bad at it – and was embarrassing at a meeting with Goldstone recently. So, the collision may come earlier than I thought – perhaps tomorrow. Co-operation, as an option, seems to be receding. It’s all a long way from being out there filming and I find it depressing to have to get into this personal tangle. Especially as there is no villain of the piece, no easy target whom we can slander and malign. Both Gledhill and Mark are nice people.

Evening a little brightened by the extraordinary latest news from Washington. Two of the most vital tapes, which Nixon has finally agreed to hand over, do not exist. On a vital John Dean conversation – the machine wasn’t working!! The Nixon/Gledhill situations do have a number of parallels. In either case there is a central figure who has far more work and far greater responsibilities than he can cope with, and yet is determined to fight, by some very devious means, rather than relinquish any of this work or any of these responsibilities.

Thursday, November ist


Surprise, surprise. A cordial, relaxed, totally constructive meeting at John’s. All of us present, and Mark as well. Mark explained the film deal, thoroughly and efficiently, and also gave us a run-down on how he would hope to be involved in the film, and how much of a cut he would like.

At 6.00, a party at Methuen’s to launch the Brand New Bok. No famous names, instead representatives of the printers, blockmakers, binders, etc, who had been involved in actually making the book. During the party Gledhill had very good news about the NFFC,1 who were only too keen to go ahead with Python, White, Goldstone. John had with him a sheet of Heads of Proposals, which towards the end of the party he was getting people to sign. I couldn’t take much of it in at that time, but seeing other signatures, and presuming it was merely a contract for story development in order to get the £6,000 front money, I, too, signed.

Monday, November 5th


Another Python meeting chez Cleese. When I arrived there at 1.00 John Gledhill was sitting on the arm of a sofa looking wide-eyed and uncomfortable. Also there were Mark, John C, Eric and Graham. No-one seemed to be talking to each other. It was like a morgue. Then Terry J and Gilliam arrived, and we walked up to Tethers for lunch and a chat.

Once in Tethers, Terry J asked Mark to outline his criticisms of the contract which John G had asked us to sign at the book launching party last Thursday night. As Mark ran through the clauses, it was increasingly clear that we were being asked to sign away our copyright on the film – which is tantamount to signing away every bargaining counter Python ever had. Mark will draft a new agreement, with his solicitor, and we will present it to Goldstone later in the week.

Wednesday, November 7th


Met Irene Handl1 at Studio G today where we were both to do a voice-over. A lovely lady who immediately talks to you as tho’ you’ve been friends for years. If Bill Tidy is the spirit of the Snug Bar personified, then Irene Handl personifies the warmest, most comfortable armchair by the fire.

Monday, November 12th


Esther Rantzen has rung to ask if I will do an interview about the Brand New Monty Python Bok on her prog, Late Night Esther. I agreed, and found myself leaving home at 11.00 p.m. to go down to the studio. Nervous, I’m afraid, despite many interviews, etc. I still find projecting myself less easy than it used to be – maybe I’m just more self-conscious now. Sit in an ante-room clutching

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