Different Seasons - Stephen King [255]
He said the sound of the steady deep breathing coming from the back seat made him nervous; he kept looking in the rear view mirror to see if she was 'dine or sumpin'. He said he would have felt less nervous if she had let out a few healthy bellows, the way a woman in labour was supposed to do. He asked her once or twice if she was feeling all right and she only nodded, continuing to 'ride the waves' in deep inhales and exhales.
Two or three blocks from the hospital, she must have felt the onset of labour's final stage.
An hour had passed since she had entered the cab-the traffic was that snarled-but this was still an extraordinarily fast labour for a woman having her first baby. The driver noticed the change in the way she was breathing. 'She started pantin' like a dog on a hot day, Doc,' he told me. She had begun to 'locomotive'.
At almost the same time the cabbie saw a hole open up in the crawling cross-traffic and shot through it The way to White Memorial was now open. It was less than three blocks ahead. 'I could see the statue of that broad,' he said. Eager to be rid of his
panting, pregnant passenger, he stepped down on the gas again and the cab leaped forward, wheels spinning over the ice with little or no traction.
I had walked to the hospital, and my arrival coincided with the cab's arrival only because I had underestimated just how bad driving conditions had become. I believed I would find her upstairs, a legally admitted patient with all her papers signed, her prep completed, working her way steadily through her mid-labour. I was mounting the steps when I saw the sudden sharp convergence of two sets of headlights reflected from the patch of ice where the janitors hadn't yet spread cinders. I turned just in time to see it happen.
An ambulance was nosing its way out of the Emergency Wing rampway as Miss Stansfield's cab came across the Square and towards the hospital. The cab was simply going too fast to stop. The cabbie panicked and stamped down on the brake-pedal rather than pumping it. The cab slid, then began to turn broadside. The pulsing dome-light of the ambulance threw moving stripes and blotches of blood-coloured light over the scene, and, freakishly, one of these illuminated the face of Sandra Stansfield. For that one moment it was the face in my dream, the same bloody, open-eyed face that I had seen on her severed head.
I cried out her name, took two steps down, slipped, and fell sprawling. I cracked my elbow a paralyzing blow but somehow managed to hold on to my black bag. I saw the rest of what happened from where I lay, head ringing, elbow smarting. The ambulance braked, and it also began to fishtail. Its rear end struck the base of the statue. The loading doors flew open. A stretcher, mercifully empty, shot out like a tongue and then crashed upside down in the street with its wheels spinning. A young woman on the sidewalk screamed as the two vehicles approached each other and tried to run. Her feet went out from under her after two strides and she fell on her stomach. Her purse flew out of her hand and shot down the icy sidewalk like a weight in a pinball bowling game. The cab swung all the way around, now travelling backwards, and I could see the cabbie clearly. He was spinning his wheel madly, like a kid in a Dodgem Car. The ambulance rebounded from Mrs White's statue at an angle and smashed broadside into the cab. The taxi spun around once in a tight circle and was slammed against the base of the statue with fearful force. Its yellow light, the letters ON RADIO CALL still flashing, exploded like a bomb. The left side of the cab crumpled like tissue-paper. A moment later I saw that it was not just the left side; the cab had struck an angle of the pedestal hard enough to tear it in two. Glass sprayed onto the slick ice like diamonds. And my patient was thrown through the rear right-side window of the dismembered cab like a rag-doll. I was on my feet again without even knowing it. I raced down the icy steps, slipped again, caught at the railing, and kept on.