Different Seasons - Stephen King [44]
Now here comes Andy Dufresne into Cellblock 5. He's a man who graduated from the University of Maine's school of business, but he's also a man who took two or three geology courses along the way. Geology had, in fact, become his chief hobby. I imagine it appealed to his patient, meticulous nature. A ten-thousand-year ice age here. A million years of mountain-building there. Tectonic plates grinding against each other deep under the earth's skin over the millennia. Pressure. Andy told me once that all of geology is the study of pressure.
And time, of course.
He had time to study those walls. Plenty of time. When the cell door slams and the lights go out, there's nothing else to look at.
First-timers usually had a hard time adjusting to the confinement of prison life. They get screw-fever, they have to be hauled down to the infirmary and sedated couple of times before they get on the beam. It's not unusual to hear some new member of our happy little family bang on the bars of his cell and screaming to be let out before the cries have gone on for long, the chant starts up along the cellblock: 'Fresh fish, hey little fishie, fresh fish, fresh fish, got fresh fish today!'
Andy didn't flip out like that when he came to the Shank in 1948, but that's not to say that he didn't feel many of same things. He may have come close to madness; some and some go sailing right over the edge. Old life blown away in the wink of an eye, indeterminate nightmare stretching out ahead, a long season in hell.
So what did he do, I ask you? He searched almost desperately for something to divert his restless mind. Oh. There are all sorts of ways to divert yourself, even in prison; it seems like the human mind is full of an infinite number of possibilities when it comes to diversion. I told you about the sculptor and his Three Ages of Jesus. There were coin collectors who were always losing their collections to thieves, stamp collectors, one fellow who had postcards from thirty-five different countries-and let me tell you, he would have turned out your lights if he'd caught you diddling with his postcards.
Andy got interested in rocks. And the walls of his cell.
I think that his initial intention might have been to do no more than to carve his initials into the wall where the poster of Rita Hayworth would soon be hanging. His initials, or maybe a few lines from some poem. Instead, what he found was that interestingly weak concrete. Maybe he started to carve his initials and a big chunk of the wall fell out I can see him, lying there on his bunk, looking at that broken chunk of concrete, turning it over in his hands. Never mind the wreck of your whole life, never mind that you got railroaded into this place by a whole trainload of bad luck. Let's forget all that and look at this piece of concrete. Some months further along he might have decided it would be fun to see how much of that wall he could take out. But you can't just start digging into your wall and then, when the weekly inspection (or one of the surprise inspections that are always turning up interesting caches of booze, drugs, dirty pictures, and weapons) comes around, say to the guard: This? Just excavating a little hole in my cell wall. Not to worry, my good man.'
No, he couldn't have that. So he came to me and asked if I could get him a Rita Hayworth poster. Not a little one but a big one.
And, of course, he had the rock-hammer. I remember thinking when I got him that gadget back in '48 that it would take a man six hundred years to burrow through the wall with it. True enough. But Andy went right through the wall -even with the soft concrete, it took him two rock-hammers and twenty-seven years to hack a hole big enough to get his slim body through four feet of it Of course he lost most of one of those years to Normaden, and he could only work at night, preferably