Doc - Mary Doria Russell [116]
On the frontier, the short-race horses themselves were not pampered, fragile Thoroughbreds but ordinary working animals, ridden by the men who depended on them daily. They were saddle horses, stock horses, cutting horses—descended from wild Spanish barbs, lost army mounts, and Indian ponies. What they had in common was early speed: an explosive start and the heart to run full-on in a straightaway competition that distilled the excitement of a longer race’s home stretch into half a minute of purified, ecstatic, screaming emotion.
The times were getting shorter. Twenty-four seconds flat in an eighty-rod race was no longer uncommon. Breeders were beginning to produce heavily muscled, powerfully built animals that could break like an arrow from a bow and beat the earth with such force they seemed invincible—until some boy on a random-bred thirteen-year-old gelding with a barrel chest showed up for his first race and won it going away, stunning the favorite and ruining punters who by-God never saw that coming.
And that was what made it interesting.
There were four minutes left when Doc Holliday got to the line, and there might have been an argument about him riding Wyatt’s horse, except that Mayor Kelley was as busy as Deputy Earp, and Dog had sent word from town to let substitutes act as jockeys.
Odds were adjusted to account for the weight Dick Naylor carried. A flurry of additional betting took place.
The track was dry, the race a measured quarter mile, with no heats to thin the field. The posts were taped.
A crowd of bettors—farmers, cowboys, townsmen—lined the distance. Fourteen horses were maneuvered into position.
Behind the line, a gun was raised.
And fired.
Fourteen horses: from a standing start to top speed in three strides. From a resting heart rate of thirty beats per minute to a brutal bastinado of four beats per second. Deep chests and massive hindquarters powering legs like the spokes of a wheel. Each hoof making separate contact with the ground, taking the animal’s full weight for a fraction of a second in a rumbling cavalry charge, streaking toward the finish—
Fifteen seconds into the race, there were five horses out in front of the favorite, Michigan Jim, with Dick Naylor in seventh. Nineteen seconds. Jim and Dick were neck and neck, as the rest of the field began to fade and fall back. Three seconds more, and it was Michigan Jim in the lead, with Dick Naylor gaining, no more than a nose behind.
John Henry would have no memory of the moment he was thrown.
Later he would recall sailing grandly through the air, time slowing strangely until he crashed onto the ground and lay there, stunned, the air slammed out of his cheesy lungs, while the Fates and nearly thirteen thousand pounds of horseflesh wheeled and danced and hammered the ground around him. Weirdly tranquil, he thought, I should protect my hands. But he could not move, not even enough to draw his arms closer to his body. And anyway it didn’t matter. He’d be killed in a moment or two.
Good, he thought, for it did not seem like such a bad end to be trampled to death on a sunny afternoon after twenty-seven glorious seconds on a racetrack.
Through the ringing in his ears, he heard Kate screaming in the distance and was sorry for her. Then he was surrounded by men waving the horses off, while somebody gripped him under the arms and dragged him off the track. Presently, his reflexes took over and he rolled onto his hands and knees, heart lurching, stomach heaving, collapsed lungs sucking wind.
Kate was kneeling at his side by then—almost as breathless as he was himself, having run as far as the horses—but she was neither weeping nor cursing him for a stupid, reckless, idiotic selfish bastard.
Good girl, he thought.
Eventually he got enough breath back to cough, and gasp, and cough some more, and finally to speak. All he asked was “Did we win?”
James Earp was at the track and saw what happened, watching in wonder as Kate