Doctor Who_ The Devil Goblins From Neptune - Keith Topping [0]
FROM NEPTUNE
KEITH TOPPING & MARTIN DAY
Doctor Who and the Devil Goblins from Neptune was initially an outline by Paul Cornell, Martin Day and Keith Topping. The Devil Goblins from Neptune is rather different, but many of the plot strands and characters hark back to that original synopsis. We would like to express our gratitude to Paul for his input, and for being happy for the two of us to go it alone.
Now, the usual suspects: thanks to Ian Atkins (computer boffin), Nick Cooper (military hardware and technology adviser, with special responsibility for photocopiers), Helen Day (sanity), Paul Griffin (original artwork), Jeff Hart (Minister for the Colonies), John McLaughlin (agenting), Richard Prekodravac (the man down under), Lily Topping (occasional helpful comments), Peter Wickham (Soviet ambassador) and Mark Whitney (in charge of the glonthometer); to Paul Beny, Paul Brown and Steve Purcell (structural advice and comments); to Tim Archer, Daniel Ben-Zvi, Steve Leahy, Richard Poser, Bill Rudloff, Michael Zecca and the other kind folk on rec.arts.drwho (political and technological queries); and to David Blenkinsopp, Colin Brockhurst, Lee Mansfield, Jackie Marshall, James Sinden and Paul and Tony Smith (early and ongoing encouragement).
Dedicated to Ian Abrahams, who made me do this.
KT
Dedicated to Emily
(a sort of fairy tale for when you're older).
MD
Soundtrack by Atomic Rooster, Badfinger, the Beatles, David Bowie, Captain Beefheart and his Magic Band, Jimi Hendrix, the Kinks, Led Zeppelin, John Lennon and the Plastic Ono Band,
Van Morrison, MC5, Pink Floyd, the Rolling Stones, the Stooges, the Thirteenth Floor Elevators, the Velvet Underground, War and the Who.
Action by Havoc
FIRST PROLOGUE:
FROM RUSSIA
A steady drizzle fell from a gunmetal-grey sky against the pale buildings of Gorkiy. An eight-wheeled personnel carrier that had seen better days moved through a landscape otherwise devoid of movement.
The rain had started soon after they left Moscow, and Shuskin had shifted position more than once in an attempt to avoid the water that dripped through tears in the canvas hood. The two benches of rough metal afforded little protection from the bone-jarringly pitted road. In the front of the vehicle, just visible to Shuskin behind panes of reinforced glass, sat the driver and Colonel Katayev, enjoying the comparative luxury of a heated cabin. Rank has its privileges, thought Captain Valentina Shuskin, but what's the alternative? Being allowed in the front because I'm a woman?
No, this seat would do. She thought of Prague, and of Uri and the double-cross that had, effectively, ended her military career. Until now.
The carrier made another harsh turn, Shuskin extending a hand to the roof to steady herself. Moments later the vehicle stopped, and the colonel turned to gesture through the glass. Shuskin nodded, and made her way to the rear of the vehicle.
The driver was already there. He went to offer Shuskin a hand down, remembered their respective ranks, and stood to attention. Shuskin jumped to the ground and brushed the grime from her dress uniform.
'You'll be quite familiar with the business end of a BTR-60,' said Katayev.
Shuskin turned and saluted. 'Indeed, sir.'
'Standard transport for the marines, I believe.'
'Correct, sir. I spent four years, seven months and twenty-seven days in the marines! Katayev hadn't asked the question, but Shuskin was keen to remind the veteran of Stalingrad that she had seen some front-line warfare. And, of course, her share of mokrie dela - that unreal form of cold, faceless war.
Katayev set off at a brisk pace, Shuskin marching at his side. She glanced behind, and saw the BTR-60 cough into life and execute a three-point turn. The cloying smell of diesel hung in the air, despite the rain.
'Nearly five years of front-line duties in a number of Warsaw Pact countries,' said Colonel Katayev, nodding to himself. It seemed that it had been his intention to discuss her career all along. Shuskin didn't know much about Katayev,