Doctor Zhivago - Boris Pasternak [218]
He was in a room in Moscow, facing a glass door locked with a key, which, to make sure, he also held shut by pulling the door handle towards him. Outside the door, his boy Shurochka, in a child’s coat, sailor’s trousers and hat, pretty and miserable, thrashed and wept, asking to be let in. Behind the child, showering him and the door with spray, was a roaring and rumbling waterfall, either from burst pipes, an everyday phenomenon of that epoch, or perhaps there really was some wild mountain gorge coming right up to the door, with a furiously rushing stream and an age-old accumulation of cold and darkness.
The crash and roar of falling water frightened the boy to death. What he was crying could not be heard; the noise drowned out the boy’s cries. But Yuri Andreevich could see that his lips were forming the word “Papa! Papa!”
Yuri Andreevich’s heart was breaking. He wished with all his being to seize the boy in his arms, press him to his breast, and run off with him without looking back. But, flooding himself with tears, he pulled the handle of the locked door towards him, not letting the boy in, sacrificing him to falsely understood feelings of honor and duty before another woman, who was not the boy’s mother and who at any moment might come into the room from the other side.
Yuri Andreevich woke up in sweat and tears. “I have a fever. I’m falling ill,” he thought at once. “It’s not typhus. It’s some sort of heavy, dangerous fatigue that has taken the form of a sickness, some illness with a crisis, as in all serious infections, and the whole question is what will win out, life or death. But how I want to sleep!” And he fell asleep again.
He dreamed of a dark winter morning on a busy lit-up street in Moscow, by all tokens before the revolution, judging by the early street animation, the ringing of the first trams, the light of the street lamps that streaked with yellow the gray, predawn snow on the pavements.
He dreamed of a long, drawn-out apartment with many windows, all on one side, low over the street, probably on the second floor, with curtains lowered to the floor. In the apartment people in traveling clothes slept in various postures without undressing, and there was disorder, as on a train, leftover food on greasy, spread-out newspapers, gnawed bones of roast chicken, wings and legs, lay about, and on the floor in pairs, taken off for the night, stood the shoes of relatives and acquaintances, passersby and homeless people, come for a short stay. The hostess, Lara, in a hastily tied morning robe, rushed about the apartment from one end to the other, bustling quickly and noiselessly, and he followed on her heels, being a nuisance, trying giftlessly and inappropriately to clarify something, and she no longer had a moment for him, and to all his explanations she merely responded in passing by turning her head to him, by quiet, perplexed glances and innocent bursts of her incomparable, silvery laughter, the only forms of intimacy still left to them. And how distant, cold, and attractive she was, to whom he had given everything, whom he preferred to everything, and in contrast to whom he diminished and depreciated everything!
9
Not he, but something more general than he, sobbed and wept in him with tender and bright words, which shone like phosphorus in the darkness. And together with his weeping soul, he himself wept. He felt sorry for himself.
“I’m falling ill, I am ill,” he reflected in moments of lucidity, between the spells of sleep, feverish raving, and oblivion. “It’s some kind of typhus after all, not described in textbooks, which we didn’t study in medical school. I must prepare something, I must eat, otherwise I’ll die of hunger.”
But at the first attempt to raise himself on one elbow, he became