Doctor Zhivago - Boris Pasternak [79]
Now there was a hospital in the house, and the owner had been arrested in Petersburg, her place of permanent residence.
Of the former staff, two curious women remained in the mansion, Mademoiselle Fleury, the old governess of the countess’s daughters (now married), and the countess’s former first cook, Ustinya.
The gray-haired and ruddy-cheeked old woman, Mademoiselle Fleury, shuffling her slippers, in a loose, shabby jacket, slovenly and disheveled, strolled about the whole hospital, where she was now on familiar terms with everyone, as once with the Zhabrinsky family, and told something or other in broken language, swallowing the endings of the Russian words in French fashion. She struck a pose, swung her arms, and at the end of her babble burst into hoarse laughter, which turned into a prolonged, irrepressible coughing.
Mademoiselle knew all about the nurse Antipova. It seemed to her that the doctor and the nurse simply must like each other. Yielding to the passion for matchmaking deeply rooted in the Latin nature, Mademoiselle was glad when she found them together, shook her finger at them meaningfully, and winked mischievously. Antipova was perplexed, the doctor was angry, but Mademoiselle, like all eccentrics, greatly valued her delusions and would not part with them for anything.
Ustinya presented a still more curious nature. She was a woman of a figure tapering awkwardly upward, which gave her the look of a brooding hen. Ustinya was dry and sober to the point of venom, but with that rationality she combined an unbridled fantasy with regard to superstitions.
Ustinya knew a great many folk charms, and never stepped out without putting a spell against fire on the stove and whispering over the keyhole to keep the unclean spirit from slipping in while she was gone. She was a native of Zybushino. They said she was the daughter of the local sorcerer.
Ustinya could be silent for years, but once the first fit came and she burst out, there was no stopping her. Her passion was standing up for justice.
After the fall of the Zybushino republic, the executive committee of Meliuzeevo launched a campaign against the anarchic tendencies coming from there. Every evening on the platz peaceful and poorly attended meetings sprang up of themselves, to which the unoccupied Meliuzeevans would trickle in, as in past times they used to sit together in summer under the open sky by the gates of the fire station. The Meliuzeevo cultural committee encouraged these meetings and sent their own or visiting activists to them in the quality of guides for the discussion. They considered the talking deaf-mute the most crying absurdity of all the tales told about Zybushino, and referred to him especially often in their exposures. But the small artisans of Meliuzeevo, the soldiers’ wives, and the former servants of the nobility were of a different opinion. The talking deaf-mute did not seem to them the height of nonsense. They defended him.
Among the disjointed cries coming from the crowd in his defense, Ustinya’s voice was often heard. At first she did not dare to come forward; womanly modesty held her back. But, gradually plucking up courage, she began ever more boldly to attack the orators, whose opinions were not favored in Meliuzeevo. Thus inconspicuously she became a real speaker from the rostrum.
Through the open windows of the mansion, the monotonous hum of voices on the square could be heard, and on especially quiet evenings even fragments of some of the speeches. Often, when Ustinya spoke, Mademoiselle would run into the room, insist that those present listen, and, distorting the words, imitate her good-naturedly:
“Raspou! Raspou! Sar’s diamon! Zybush! Deaf-mute! Trease! Trease!”4
Mademoiselle was secretly proud of this sharp-tongued virago. The two women had a tender attachment to each other and grumbled at each other endlessly.
5
Yuri Andreevich was gradually preparing for departure, went to homes and offices where he had to