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Dogs and Demons_ Tales From the Dark Side of Japan - Kerr [102]

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biggest Ferris wheel (Yokohama waterfront), the biggest stewpot (six meters wide, able to feed 30,000 people), the biggest drum, the biggest sand clock, and the world's longest beach bench. In Tokyo, monuments on the drawing boards include Taisei Corporation's 4,000-meter cone-shaped building known as X-SEED4000. Its base would be six kilometers wide and it would sit above the ocean, housing 500,000 people. The reason for the name X-SEED is that, though shaped like Mount Fuji, the monument's height would exceed that of Mount Fuji by several hundred meters, so residents could enjoy looking down on the mountain.

Shimizu Corporation is proposing a far more modest 800-meter skyscraper (almost twice the height of the Sears Tower in Chicago), on pillars above a city. Kajima Corporation is pursuing a stacked structure, a so-called Dynamic Intelligent Building, which consists of several fifty-story structures piled on top of one another. Ohbayashi Corporation, for its part, has announced plans for the 2,100-meter Aeropolis 2001, whose shadow will darken the environs of Tokyo.

While these companies have put their plans on hold due to the bursting of the Bubble, their concepts are dear to the Construction Ministry's heart, and as we have seen in the case of Nagara Dam, once a concept, always a concept. Aoki Hitoshi, a senior specialist with the Construction Advisory Section of the Construction Ministry, says, «The construction companies put a great deal of work into developing them, and it seemed a shame not to utilize them. Aside from the military, development of such buildings is an ideal frontier in which scientific research can be extended. We hope that in the future this can be developed into a national project.» How these structures will get around the Sunlight Law is a mystery, but in the case of monuments, ministries waive restrictions. Whatever it costs, something like these will surely get built.

Mile-high buildings are just the beginning. The grandiose visions of Japan's builders and architects go further-nothing less than reshaping the land itself. The new Comprehensive National Development Plan, or Zenso, is considering a network of expressways across the country, as well as mammoth tunnels and bridges linking all of Japan's islands, despite the fact that road, rail, and air systems already link them. The jewel in the crown would be a brand-new capital built on land far away from Tokyo; this will provide opportunities for monuments on a scale beyond anything yet imagined. Estimated by the government to cost ¥14 trillion, it will house 600,000 people in a 9,000-hectare site surrounding the National Diet, to be called Diet City. The construction work will essentially involve flattening an entire prefecture – and eight prefectures have passed resolutions urging that this new capital be built in their territory.

The architect Kurokawa Kisho proposes to expand Tokyo by creating a 30,000-hectare island in the bay, laced with canals and freeways. This island would be home to 5 million people, with an additional million housed in another new city built at the Chiba end of the bay and connected by a bridge. The cost of this scheme comes to around ¥300 trillion (twenty times the Apollo program), and it would require men and machines to level an entire range of mountains yielding 8.4 billion cubic meters of landfill (125 times what builders excavated to cut the Suez Canal), this on top of the 900 million cubic meters already shaved off the mountains of Chiba Prefecture to build the Tokyo-Chiba trans-bay bridge.

The world knows Japan as the land of the miniature, of restraint, of quiet good taste, of devotion to the low-key but telling detail. Nakano Kiyotsugu wrote a best-selling book published in 1993 in which he argued that the very core ideal of traditional Japanese culture was Seihin no Shiso, the «philosophy of pure poverty.» By pure poverty, Nakano meant the simplicity of life of the eighteenth-century Buddhist monk Ryokan, famed for living happily in a thatched hut. Ryokan's chief pleasure in life was playing with

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